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Seite 420
They ensured that the audience would not forget that Katharine and Petruchio were simply roles adopted by two members of a troupe of strolling players . The actors changed costumes in full view of the audience , called on their prompter ...
They ensured that the audience would not forget that Katharine and Petruchio were simply roles adopted by two members of a troupe of strolling players . The actors changed costumes in full view of the audience , called on their prompter ...
Seite 424
In this confined area , the players performed The Shrew , transforming the rustic inn into bright Padua . After their performance , the illusion of the play faded as the players and spectators went back out into the cold night and the ...
In this confined area , the players performed The Shrew , transforming the rustic inn into bright Padua . After their performance , the illusion of the play faded as the players and spectators went back out into the cold night and the ...
Seite 476
Her acting has that final , unfaltering ring of truth in it , but she is not of the aristocracy of players . No Edith Evans is in the making here . But rather is she rooted in that republic of lively , often unlovely , players who look ...
Her acting has that final , unfaltering ring of truth in it , but she is not of the aristocracy of players . No Edith Evans is in the making here . But rather is she rooted in that republic of lively , often unlovely , players who look ...
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Inhalt
The Merchant of Venice | 1 |
A Midsummer Nights Dream | 141 |
The Taming of the Shrew | 306 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
acting action actors Ada Rehan Antonio appeared audience Bassanio beautiful become beginning Bottom called cast character comedy comes comic course court critic dance directed director effect Elizabethan English eyes fact fairies feeling final give given hand Henry idea imagination interest interpretation Irving John less light lines London look lovers manager means Merchant of Venice Midsummer Night's Dream mind Miss moved nature never Oberon once opening original performance perhaps Peter Petruchio piece play players Portia present production Puck reason review date revival role scene seems seen sense Shake Shakespeare Shrew Shylock speak speech spirit stage story Stratford success suggested Taming Theatre theatrical Theseus thing thought tion Titania tradition trial true turned whole wood York young
Bibliografische Informationen
| Titel | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 12 Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Verlag | Gale Research Company, 1984 |
| ISBN | 0810361361, 9780810361362 |
| Zitat exportieren | BiBTeX EndNote RefMan |