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Seite 163
Laura Keene took Kean's acting edition as the base for her 1859 New York production , and the final sum of her omitted lines was ten more than Kean's . The promptbook for Augustin Daly's 1888 revival shows 558 lines were cut by William ...
Laura Keene took Kean's acting edition as the base for her 1859 New York production , and the final sum of her omitted lines was ten more than Kean's . The promptbook for Augustin Daly's 1888 revival shows 558 lines were cut by William ...
Seite 199
For example , he eliminated the description of Robin Goodfellow and Titania's speech on the wind , the rains , and the floods , and cut some of the most charming lines from Lysander and Hermia's wonderful love duet in [ Act I , Scene i ] ...
For example , he eliminated the description of Robin Goodfellow and Titania's speech on the wind , the rains , and the floods , and cut some of the most charming lines from Lysander and Hermia's wonderful love duet in [ Act I , Scene i ] ...
Seite 332
A second kind of revision consisted of rearrangement and reassignment of lines to allow Ada Rehan to star . Her entrance was postponed till the second act . She was thus allowed , wrote Towse , to start her performance " at the highest ...
A second kind of revision consisted of rearrangement and reassignment of lines to allow Ada Rehan to star . Her entrance was postponed till the second act . She was thus allowed , wrote Towse , to start her performance " at the highest ...
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Inhalt
The Merchant of Venice | 1 |
A Midsummer Nights Dream | 141 |
The Taming of the Shrew | 306 |
Urheberrecht | |
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acting action actors Ada Rehan Antonio appeared audience Bassanio beautiful become beginning Bottom called cast character comedy comes comic course court critic dance directed director effect Elizabethan English eyes fact fairies feeling final give given hand Henry idea imagination interest interpretation Irving John less light lines London look lovers manager means Merchant of Venice Midsummer Night's Dream mind Miss moved nature never Oberon once opening original performance perhaps Peter Petruchio piece play players Portia present production Puck reason review date revival role scene seems seen sense Shake Shakespeare Shrew Shylock speak speech spirit stage story Stratford success suggested Taming Theatre theatrical Theseus thing thought tion Titania tradition trial true turned whole wood York young