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Seite 130
Besides , the more his entrance is built up , the better by contrast will be that of Antonio , provided that it comes later than that of the Duke . Let the Duke enter with all the theatrical pomp which can be contrived .
Besides , the more his entrance is built up , the better by contrast will be that of Antonio , provided that it comes later than that of the Duke . Let the Duke enter with all the theatrical pomp which can be contrived .
Seite 331
It was this version that Clara Morris and Louis James had played ; in fact , for stage use the play had come to be known as ... When everything is ready the real lord , dressed as a servant , comes to him and says : Your honor's players ...
It was this version that Clara Morris and Louis James had played ; in fact , for stage use the play had come to be known as ... When everything is ready the real lord , dressed as a servant , comes to him and says : Your honor's players ...
Seite 400
There are , of course , limits upon that because of the sort of language that is being spoken . First of all , it comes from the past , and secondly , it doesn't come from the naturalistic past . It comes from the artistic past ...
There are , of course , limits upon that because of the sort of language that is being spoken . First of all , it comes from the past , and secondly , it doesn't come from the naturalistic past . It comes from the artistic past ...
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Inhalt
The Merchant of Venice | 1 |
A Midsummer Nights Dream | 141 |
The Taming of the Shrew | 306 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
acting action actors Ada Rehan Antonio appeared audience Bassanio beautiful become beginning Bottom called cast character comedy comes comic course court critic dance directed director effect Elizabethan English eyes fact fairies feeling final give given hand Henry idea imagination interest interpretation Irving John less light lines London look lovers manager means Merchant of Venice Midsummer Night's Dream mind Miss moved nature never Oberon once opening original performance perhaps Peter Petruchio piece play players Portia present production Puck reason review date revival role scene seems seen sense Shake Shakespeare Shrew Shylock speak speech spirit stage story Stratford success suggested Taming Theatre theatrical Theseus thing thought tion Titania tradition trial true turned whole wood York young
Bibliografische Informationen
| Titel | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 12 Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Verlag | Gale Research Company, 1984 |
| ISBN | 0810361361, 9780810361362 |
| Zitat exportieren | BiBTeX EndNote RefMan |