Im Buch
Ergebnisse 1-3 von 91
Seite 406
It's always said by literary critics that you ought to be able to know what a character is from the sum of all that is actually said in a play by that given character ; but if that were the case , then every time the play is performed ...
It's always said by literary critics that you ought to be able to know what a character is from the sum of all that is actually said in a play by that given character ; but if that were the case , then every time the play is performed ...
Seite 418
His characters ' simple , explicit motives eliminate the tension in Shakespeare's play . ... Her clear , strong voice , fine sense of timing , and ability to identify completely with her character were her great assets .
His characters ' simple , explicit motives eliminate the tension in Shakespeare's play . ... Her clear , strong voice , fine sense of timing , and ability to identify completely with her character were her great assets .
Seite 436
In order to appreciate the dramatic energy of The Shrew , we must begin with Shakespeare's dramatic presentation of Petruchio and Katherina , for throughout the play the dynamics of their roles demonstrate forcefully how characters who ...
In order to appreciate the dramatic energy of The Shrew , we must begin with Shakespeare's dramatic presentation of Petruchio and Katherina , for throughout the play the dynamics of their roles demonstrate forcefully how characters who ...
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
Inhalt
The Merchant of Venice | 1 |
A Midsummer Nights Dream | 141 |
The Taming of the Shrew | 306 |
Urheberrecht | |
2 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
acting action actors Ada Rehan Antonio appeared audience Bassanio beautiful become beginning Bottom called cast character comedy comes comic course court critic dance directed director effect Elizabethan English eyes fact fairies feeling final give given hand Henry idea imagination interest interpretation Irving John less light lines London look lovers manager means Merchant of Venice Midsummer Night's Dream mind Miss moved nature never Oberon once opening original performance perhaps Peter Petruchio piece play players Portia present production Puck reason review date revival role scene seems seen sense Shake Shakespeare Shrew Shylock speak speech spirit stage story Stratford success suggested Taming Theatre theatrical Theseus thing thought tion Titania tradition trial true turned whole wood York young
Bibliografische Informationen
| Titel | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 12 Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Verlag | Gale Research Company, 1984 |
| ISBN | 0810361361, 9780810361362 |
| Zitat exportieren | BiBTeX EndNote RefMan |