Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 12Gale Research Company, 1984 |
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Seite 138
... York Stage , 1954- 1955. " Shakespeare Quarterly VI , No. 4 ( Autumn 1955 ) : 423-27 . Deems Marjorie Hildreth's production " well cast and well spo- ken . " Thomas Barbour played a convincing Shylock . Stoker , Bram . " Shakespeare's ...
... York Stage , 1954- 1955. " Shakespeare Quarterly VI , No. 4 ( Autumn 1955 ) : 423-27 . Deems Marjorie Hildreth's production " well cast and well spo- ken . " Thomas Barbour played a convincing Shylock . Stoker , Bram . " Shakespeare's ...
Seite 190
... York Times , February 1 , 1888 , p . 5 . The New York Times ( review date 5 February 1888 ) [ In the excerpt below , the reviewer judges the settings and cos- tumes of Daly's production ideally suited to Shakespeare's con- ception of ...
... York Times , February 1 , 1888 , p . 5 . The New York Times ( review date 5 February 1888 ) [ In the excerpt below , the reviewer judges the settings and cos- tumes of Daly's production ideally suited to Shakespeare's con- ception of ...
Seite 504
... York's Servants . Opening in June 1661 , Lincoln's Inn Fields was the first playhouse to have a proscenium arch and to use movable scenery . It was also one of the first to cast women rather than young boys in female roles . The Duke's ...
... York's Servants . Opening in June 1661 , Lincoln's Inn Fields was the first playhouse to have a proscenium arch and to use movable scenery . It was also one of the first to cast women rather than young boys in female roles . The Duke's ...
Inhalt
The Merchant of Venice | 1 |
A Midsummer Nights Dream | 141 |
The Taming of the Shrew | 306 |
Urheberrecht | |
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acting actors Ada Rehan admirable Antonio appeared audience Barker Bassanio beautiful Belmont Bottom Brook casket cast character Christopher Sly clowns comedy comic costumes court critic curtain Daly Daly's dance delight director dramatic dress duction effect Elizabethan Ellen Terry essay date excerpt fairies feeling film Garrick give Gratiano Helena Henry Henry Irving Hermia Hippolyta interpretation Irving Irving's Jessica John Kate Katharina Kean Kean's light lines London look lovers Lysander Macklin magic mance Merchant of Venice Midsummer Night's Dream Miss Nerissa never Oberon Olivier performance Peter Peter Brook Petruchio Phelps play's players Poel poetry Portia present production Puck Pyramus and Thisbe Rehan Reinhardt review date revival role Royal Shakespeare Company scenery seems Shake Shakespeare's plays Shrew Shylock song speech spirit stage Stratford Taming Theatre theatrical Theseus thing tion Titania trial scene verse Vestris Victorian whole William words York Zeffirelli