Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 83Gale Research Company, 1984 |
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Seite 102
... play reveals a significant change in Lear's character through his movement from understanding only " explicit verbal statement " at the play's beginning to his ability to note unspoken emotions and ideas in the play's final scene ...
... play reveals a significant change in Lear's character through his movement from understanding only " explicit verbal statement " at the play's beginning to his ability to note unspoken emotions and ideas in the play's final scene ...
Seite 126
... play's first scene and in her reunion with Lear at play's end . John Preston as Edmund is capable , but too often he plays the role for comic effects and seems to miss Ed- mund's viciousness . Rodney Clark is effective as Kent , but he ...
... play's first scene and in her reunion with Lear at play's end . John Preston as Edmund is capable , but too often he plays the role for comic effects and seems to miss Ed- mund's viciousness . Rodney Clark is effective as Kent , but he ...
Seite 314
... play's appeal in the present day ( indeed , this is one of a slew of local Troilus - es recent and to come ) , just as the play's pitfalls are always equally clear . Talky and dense and rife with unusually knotted swatches of rhetoric ...
... play's appeal in the present day ( indeed , this is one of a slew of local Troilus - es recent and to come ) , just as the play's pitfalls are always equally clear . Talky and dense and rife with unusually knotted swatches of rhetoric ...
Inhalt
Cumulative Character Index | 355 |
Cumulative Topic Index | 367 |
Cumulative Topic Index by Play | 391 |
Urheberrecht | |
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abuse Achilles appears Arcite audience Bassanio becomes Brutus Cambridge catastrophe characters Christian comedy comic Cordelia critics daughter death desire Diomedes disguise dramatic Edgar Edmund effeminacy Elizabethan Emilia English erotic essay Falstaff fantasy father feel Fool friends friendship Gentlemen of Verona Gloucester Gloucester's gods Goneril Greek grotesque body Hamlet Hector Helen Henry heterosexual homosexual homosocial Horatio husband identity John Kent King Lear language Lear's literary London lover male bonds manly marriage masculinity ment Merchant of Venice Merry Wives nature Noble Kinsmen Palamon Pandarus petty treason play's plot political Press prince Proteus Regan relationship Renaissance Rosencrantz same-sex says scene seems sense sexual Shake Shakespeare Shakespeare's play social sources speak speare speare's speech stage storm story suggests thee theme Thersites thou Timon tion tragedy Troilus and Cressida Troilus's Trojan Troy Twelfth Night Valentine wife Wives of Windsor woman women words York