Will in the World: How Shakespeare Became Shakespeare

Cover
W. W. Norton & Company, 2004 - 430 Seiten

Will in the World interweaves a searching account of Elizabethan England with a vivid narrative of the playwright's life. We see Shakespeare learning his craft, starting a family, and forging a career for himself in the wildly competitive London theater world, while at the same time grappling with dangerous religious and political forces that took less-agile figures to the scaffold. Above all, we never lose sight of the great works--A Midsummer Night's Dream, Romeo and Juliet, Hamlet, Macbeth, and more--that continue after four hundred years to delight and haunt audiences everywhere. The basic biographical facts of Shakespeare's life have been known for over a century, but now Stephen Greenblatt shows how this particular life history gave rise to the world's greatest writer. Bringing together little-known historical facts and little-noticed elements of Shakespeare's plays, Greenblatt makes inspired connections between the life and the works and deliver "a dazzling and subtle biography" (Richard Lacayo, Time). Readers will experience Shakespeare's vital plays again as if for the first time, but with greater understanding and appreciation of their extraordinary depth and humanity.

A Best Book of the Year: The New York Times 10 Best Books of 2004; Time magazine's #1 Best Nonfiction Book; A Washington Post Book World Rave; An Economist Best Book; A San Francisco Chronicle Best Book; A Christian Science Monitor Best Book; A Chicago Tribune Best Book; A Pittsburgh Post-Gazette Best Book; NPR's Maureen Corrigan's Best.
 

Was andere dazu sagen - Rezension schreiben

Bewertungen von Nutzern

5 Sterne
15
4 Sterne
13
3 Sterne
3
2 Sterne
3
1 Stern
1

LibraryThing Review

Nutzerbericht  - baswood - LibraryThing

OH WHAT A LOVELY BARD. [Will in the World] - Stephen Greenblatt [The Cambridge Introduction to Shakespeare] - Emma Smith [Shakespeare's Language, Frank Kermode] - Frank Kermode. Three books that might ... Vollständige Rezension lesen

LibraryThing Review

Nutzerbericht  - setnahkt - LibraryThing

On June 29, 1613, the King’s Players put on Henry VIII at the Globe Theater in Southwark. Miniature cannons were fired during a scene representing Henry VIII attending a masque at Cardinal Wolsey’s ... Vollständige Rezension lesen

Alle 11 Rezensionen »

Ausgewählte Seiten

Inhalt

Primal Scenes
23
The Dream of Restoration
54
The Great Fear
87
Wooing Wedding and Repenting
118
Crossing the Bridge
149
Life in the Suburbs
175
Shakescene
199
MasterMistress
226
Laughter at the Scaffold
256
Speaking with the Dead
288
Bewitching the King
323
The Triumph of the Everyday
356
Bibliographical Notes
391
Index
409
Urheberrecht

Andere Ausgaben - Alle anzeigen

Häufige Begriffe und Wortgruppen

Über den Autor (2004)

Stephen Greenblatt (Ph.D. Yale) is Cogan University Professor of the Humanities at Harvard University. Also General Editor of The Norton Anthology of English Literature, he is the author of eleven books, including Tyrant, The Rise and Fall of Adam and Eve: The Story that Created Us, The Swerve: How the World Became Modern (winner of the 2011 National Book Award and the 2012 Pulitzer Prize); Shakespeare's Freedom; Will in the World: How Shakespeare Became Shakespeare; Hamlet in Purgatory; Marvelous Possessions: The Wonder of the New World; Learning to Curse: Essays in Early Modern Culture; and Renaissance Self-Fashioning: From More to Shakespeare. He has edited seven collections of criticism, including Cultural Mobility: A Manifesto, and is a founding coeditor of the journal Representations. His honors include the MLA's James Russell Lowell Prize, for both Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England and The Swerve, the Sapegno Prize, the Distinguished Humanist Award from the Mellon Foundation, the Wilbur Cross Medal from the Yale University Graduate School, the William Shakespeare Award for Classical Theatre, the Erasmus Institute Prize, two Guggenheim Fellowships, and the Distinguished Teaching Award from the University of California, Berkeley. He was president of the Modern Language Association of America and is a fellow of the American Academy of Arts and Sciences, the American Philosophical Society, and the American Academy of Arts and Letters.

Bibliografische Informationen