Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 50Gale Research Company, 1984 |
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Seite 84
... Drama of a Nation . Both emphasize the period as an age of transition from feudalism to capitalism : see Weimann , 161-69 and passim ; Drama of a Nation , 82- 84 and passim . See also Szenczi , " Shakespeare's Real- ism . " Bristol ...
... Drama of a Nation . Both emphasize the period as an age of transition from feudalism to capitalism : see Weimann , 161-69 and passim ; Drama of a Nation , 82- 84 and passim . See also Szenczi , " Shakespeare's Real- ism . " Bristol ...
Seite 191
... drama is the extent to which it makes every element in the play , every character , every scene , significant , meaningful , and germane to the whole conception , playing an organic part in the drama as a work of art . ( One of the most ...
... drama is the extent to which it makes every element in the play , every character , every scene , significant , meaningful , and germane to the whole conception , playing an organic part in the drama as a work of art . ( One of the most ...
Seite 322
... drama and have offered reasons that her character , richly synthesizing Fletcherian and Shakespearean traditions , remained historically specific and unrepeatable . But although she was not to be du- plicated in the drama of the time ...
... drama and have offered reasons that her character , richly synthesizing Fletcherian and Shakespearean traditions , remained historically specific and unrepeatable . But although she was not to be du- plicated in the drama of the time ...
Inhalt
Social Class in Shakespeares Plays | 1 |
Coriolanus | 99 |
Julius Caesar | 185 |
Urheberrecht | |
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