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acted actors appeared beautiful becomes better borrowed called century CHAPTER character comedy comes complete contains copy court daughter death dramatic dramatist earlier early edition Elizabethan England English evidence existence fact famous father feel figure Folio followed give given greatest groups Hamlet hand Henry Holinshed important included interest John King known later learned less lines lives London lost means nature never original performances period Plautus play plot poem poet popular present printed probably published quartos Queen reference Richard rime Romeo and Juliet scenes seems Shake Shakespeare Shakespeare's plays shows sonnets speare stage story success tell theaters Third Thomas thought tragedy true usually verse volume whole writing written wrote York young
Seite 87 - twixt the green sea and the azur'd vault Set roaring war; to the dread rattling thunder Have I given fire, and rifted Jove's stout oak With his own bolt; the strong-bas'd promontory Have I made shake, and by the spurs pluck'd up The pine and cedar; graves at my command Have wak'd their sleepers, op'd, and let 'em forth By my so potent art.
Seite 56 - With the best gamesters : what things have we seen Done at the Mermaid; heard words that have been So nimble, and so full of subtle flame, As if that every one from whence they came Had meant to put his whole wit in a jest, And had resolved to live a fool the rest Of his dull life...
Seite 8 - Yes, trust them not: for there is an upstart crow beautified with our feathers, that with his tiger's heart, wrapt in a player's hide, supposes he is as well able to bombast out a blank verse as the best of you; and being an absolute Johannes factotum, is in his own conceit the only Shake-scene in a country.
Seite 9 - With neither of them that take offence was I acquainted, and with one of them I care not if I never be...
Seite 88 - Even here undone ! I was not much afeard ; for once or twice I was about to speak and tell him plainly, The selfsame sun that shines upon his court Hides not his visage from our cottage but Looks on alike.
Seite 50 - Weep with me, all you that read This little story : And know, for whom a tear you shed Death's self is sorry. 'Twas a child that so did thrive In grace and feature, As heaven and nature seemed to strive Which owned the creature.
Seite 72 - Who is Silvia ? what is she, That all our swains commend her ? Holy, fair, and wise is she, The heaven such grace did lend her, That she might admired' be. Is she kind as she is fair ? For beauty lives with kindness : Love doth to her eyes repair, To help him of his blindness; And, being helped, inhabits there.
Seite 56 - Master Jonson (like the former) was built far higher in learning ; solid, but slow in his performances. Shakespeare with the English man-ofwar, lesser in bulk, but lighter in sailing, could turn with all tides, tack about and take advantage of all winds, by the quickness of his wit and invention.
Seite 122 - ... who, as he was a happie imitator of Nature, was a most gentle expresser of it. His mind and hand went together ; and what he thought, he uttered with that easinesse that wee have scarse received from him a blot in his papers.
Seite 69 - Two loves I have of comfort and despair, Which like two spirits do suggest me still, The better angel is a man right fair: The worser spirit a woman coloured ill. To win me soon to hell my female evil, Tempteth my better angel from my side, And would corrupt my saint to be a devil: Wooing his purity with her foul pride.