Modern Japanese Woodblock Prints: The Early YearsUniversity of Hawaii Press, 1990 - 324 Seiten Surveys the persistence of Japanese woodblock printing through the first half of the 20th century, when mainstream art ignored it as an extinct form. Describes the divergence of traditional and modern methods, the influence of the West, and the eventual decline. Includes many fine reproductions, 16 pages in color. Annotation copyrighted by Book News, Inc., Portland, OR |
Inhalt
Heritage | 3 |
The Collaborative System | 16 |
ShinHanga | 41 |
Urheberrecht | |
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Aomori Art Institute art movement artisans Austin Collection Azechi began bijin-ga bijutsu blocks Bunten Carnegie Museum carvers and printers carving and printing color plate copies creative print early Europe European exhibition gendai Goyō hanga artists hanmoto Hasui Hiratsuka Hiratsuka Un'ichi Hiroshige Hōsun illustrations Institute of Chicago Ishii Hakutei issue Itō Shinsui Japan Kaburagi Kiyokata Kanae's Kantō Earthquake Kawakami Sumio Kawase Hasui kimono Kindai Nihon Kyoto landscapes lithographs Maekawa Senpan magazine Meiji Meiji period Minami Modern Japanese Prints moku-hanga Munakata Shikō Nihon Hanga Kyōkai Nihon Sōsaku-Hanga Kyōkai oil painting Oliver Statler Onchi Onchi Kōshirō Paris picture prefecture printmakers published reproductions scenes Sekino Jun'ichirō self-carved self-printing Shin shin-hanga Shirakaba sketches society sõsaku-hanga sõsaku-hanga artists studied style Taisho period tion Tokyo School Torii ukiyo-e Watanabe Watanabe's Western Western-style painting woman wood engraving woodblock printing wrote Yamaguchi Yamaguchi Gen Yamamoto Kanae yōga Yoshida Hiroshi Yumeji