J. PHILIPS. JOHN PHILIPS was born on the 30th of December, 1676, at Bampton, in Oxfordshire; of which place his father, Dr. Stephen Philips, archdeacon of Salop, was minister. The first part of his education was domestick; after which he was sent to Winchester, where, as we are told by Dr. Sewel, his biographer, he was soon distinguished by the superiority of his exercises; and, what is less easily to be credited, so much endeared himself to his schoolfellows, by his civility and good nature, that they, without murmur or ill will, saw him indulged by the master with particular immunities. It is related, that, when he was at school, he seldom mingled in play with the other boys, but retired to his chamber; where his sovereign pleasure was to sit, hour after hour, while his hair was combed by somebody, whose service he found means to procure '. At school he became acquainted with the poets, ancient and modern, and fixed his attention particularly on Milton. In 1694, he entered himself at Christ church; a college, at that time, in the highest reputation, by the transmission of Busby's scholars to the care first of Fell, and afterwards of Aldrich. Here he was distinguished as a genius eminent among the eminent, and for friendship particularly intimate with Mr. Smith, the author of Phædra and Hippolytus. The profession which he intended to follow was r Isaac Vossius relates, that he also delighted in having his hair combed when he could have it done by barbers or other persons skilled in the rules of prosody. Of the passage that contains this ridiculous fancy, the following is a translation: "Many people take delight in the rubbing of their limbs, and the combing of their hair; but these exercises would delight much more, if the servants at the baths, and of the barbers, were so skilful in this art, that they could express any measures with their fingers. I remember that more than once I have fallen into the hands of men of this sort, who could imitate any measure of songs in combing the hair, so as sometimes to express very intelligibly iambics, trochees, dactyls, &c. from whence there arose to me no small delight." See his treatise de Poematum Cantu et Viribus Rythmi. Oxon. 1673. p. 62. H. that of physick; and he took much delight in natural history, of which botany was his favourite part. His reputation was confined to his friends and to the university; till, about 1703, he extended it to a wider circle by the Splendid Shilling, which struck the publick attention with a mode of writing new and unexpected. This performance raised him so high, that, when Europe resounded with the victory of Blenheim, he was, probably, with an occult opposition to Addison, employed to deliver the acclamation of the tories. It is said that he would willingly have declined the task, but that his friends urged it upon him. It appears that he wrote this poem at the house of Mr. St. John. Blenheim was published in 1705. The next year produced his greatest work, the poem upon Cider, in two books; which was received with loud praises, and continued long to be read, as an imitation of Virgil's Georgicks, which needed not shun the presence of the original. He then grew probably more confident of his own abilities, and began to meditate a poem on the Last Day; a subject on which no mind can hope to equal expectation. This work he did not live to finish; his diseases, a slow consumption and an asthma, put a stop to his studies, and on Feb. 15, 1708, at the beginning of his thirty-third year, put an end to his life. He was buried in the cathedral of Hereford; and sir Simon Harcourt, afterwards lord chancellor, gave him a monument in Westminster Abbey. The inscription at Westminster was written, as I have heard, by Dr. Atterbury, though commonly given to Dr. Freind. Si tumulum desideras, Quam interim erga cognatos pius et officiosus, A MARIA PHILIPS matre ipsius pientissima Dilecti filii memoriæ non sine lacrymis dicatum. His epitaph at Westminster : Herefordiæ conduntur ossa, Qui viris bonis doctisque juxta charus, Litterarum amoniorum sitim, Quam Wintoniæ puer sentire cœperat, Inter Ædis Christi alumnos jugiter explevit. In illo musarum domicilio Præclaris æmulorum studiis excitatus, Optimis scribendi magistris semper intentus, Carmina sermone patrio composuit A Græcis Latinisque fontibus feliciter deducta, Antiquo illo, libero, multiformi, Ad res ipsas apto prorsus, et attemperato, Non numeris in eundem fere orbem redeuntibus, Non clausularum similiter cadentium sono Metiri : Uni in hoc laudis genere Miltono secundus, Res seu tenues, seu grandes, seu mediocres Nusquam, non quod decuit, Et vidit, et assecutus est, Auso licet a tua metrorum lege discedere, Vatum certe cineres tuos undique stipantium SIMON HARCOURT, miles, Viri bene de se, de litteris meriti, Quoad viveret fautor, Post obitum pie memor, Hoc illi saxum poni voluit. J. PHILIPS, STEPHANI, S. T. P. Archidiaconi In agro Oxon. Dec. 30, 1676. Philips has been always praised, without contradiction, as a man modest, blameless, and pious; who bore narrowness of fortune without discontent, and tedious and painful maladies without impatience; beloved by those that knew him, but not ambitious to be known. He was probably not formed for a wide circle. His conversation is commended for its innocent gaiety, which seems to have flowed only among his intimates; for I have been told, that he was in company silent and barren, and employed only upon the pleasures of his pipe. His addiction to tobacco is mentioned by one of his biographers, who remarks, that in all his writings, except Blenheim, he has found an opportunity of celebrating the fragrant fume. In common life he was probably one of those who please by not offending, and whose person was loved because his writings were admired. He died honoured and lamented, before any part of his reputation had withered, and before his patron St. John had disgraced him. His works are few. The Splendid Shilling has the uncommon merit of an original design, unless it may be thought precluded by the ancient Centos. To degrade the sounding words and stately construction of Milton, by an application to the lowest and most trivial things, gratifies the mind with a momentary triumph over that grandeur, which hitherto held its captives in admiration; the words and things are presented with a new appearance, and novelty is always grateful where it gives no pain. But the merit of such performances begins and ends with the first author. He that should again adapt Milton's phrase to the gross incidents of common life, and even adapt it with more art, which would not be difficult, must yet expect but a small part of the praise which Philips has obtained; he can only hope to be considered as the repeater of a jest. "The parody on Milton," says Gildon, "is the only tolerable production of its author." This is a censure too dogmatical and violent. The poem of Blenheim was never denied to be tolerable, even by those who do not allow its supreme excellence. It is, indeed, the poem of a scholar, "all inexpert of war;" of a man who writes books from books, and studies the world in a college. He seems to have formed his ideas of the field of Blenheim from the battles of the heroick ages, or the tales of chivalry, with very little comprehension of the qualities necessary to the composition of a modern hero, which Addison has displayed with so much propriety. He makes Marlborough behold at a distance the slaughter made by Tallard, then haste to encounter and restrain him, and mow his way through ranks made headless by his sword. He imitates Milton's numbers indeed, but imitates them very injudiciously. Deformity is easily copied; and whatever there is in Milton which the reader wishes away, all that is obsolete, peculiar, or licentious, is accumulated with great care by Philips. Milton's verse was harmonious, in proportion to the general state of our metre in Milton's age; and, if he had written after the improvements made |