Literary into Cultural StudiesRoutledge, 02.09.2003 - 216 Seiten Modern Literary study was founded on an opposition between the canon and its other , popular culture. The theory wars of the 1970s and the 1980s and, in particular, the advent of structuralist and post structuralist theory, transformed this relationship. With `the death of literature', the distinction between high and popular culture was no longer tenable, and the field of inquiry shifted from literary into cultural studies. Anthony Easthope argues that this new discipline must find a methodological consensus for its analysis of canonical and popular texts. Through a detailed criticism of competing theories (British cultural studies, New Historicism, cultural materialism) he shows how this new study should - and should not be done. Easthope's exploration of the problems, possibilities and politics of this new discipline includes an original reassessment of the question of literary value. By contrasting Conrad's Heart of Darkness with Burrough's Tarzan of the Apes, Easthope demonstrates how textuality sustains the opposition between high and popular culture darkness. |
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according actual analysis argued argument becomes canon Chapter claim concept constituted construction context continuous contrast conventional course criticism critique cultural studies defined definition deny desire determined discourse discussion distinction dominant effect English example existence expression fact follows formal gender given high and popular high cultural historical human idea identity ideology imagination individual institutions interpretation kind knowledge language less linguistic literary study literary value literature Marxism materialism meaning method mode modernist reading move narrative nature never novel object operation opposition original paradigm particular pleasure poem politics popular culture position possible present production question radical reader reasons reference relation relative representation represented reproduced says sense separate shows signifying practice single social society specific structure Tarzan textuality theory things thought tradition unconscious United unity universal whole writing