Cooper Monographs on English and American Language and Literature, Bände 21-23Francke Verlag, 1974 |
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Seite 166
... turn up at ever shorter intervals . Aguecheek is followed by Sir Toby . In contrast to Sir Andrew , he is above - or past - complaining . In answer to Orsino's questions , he will only say : That's all one ; has hurt me and there's th ...
... turn up at ever shorter intervals . Aguecheek is followed by Sir Toby . In contrast to Sir Andrew , he is above - or past - complaining . In answer to Orsino's questions , he will only say : That's all one ; has hurt me and there's th ...
Seite 273
... turns it into the goal of the hero's long flight , a place of temporary refuge . This change also determines the ... turn related to the reversal of the motif of exploitation . Talking to an imagined white enemy while escaping from ...
... turns it into the goal of the hero's long flight , a place of temporary refuge . This change also determines the ... turn related to the reversal of the motif of exploitation . Talking to an imagined white enemy while escaping from ...
Seite 19
... turn away and hide their faces as if in shame , while tears steal down their cheeks ... Theseus and Amphitryon are so distressed that they cannot give an answer to Hercules ' question . They remain silent , they turn away from him and ...
... turn away and hide their faces as if in shame , while tears steal down their cheeks ... Theseus and Amphitryon are so distressed that they cannot give an answer to Hercules ' question . They remain silent , they turn away from him and ...
Inhalt
INTRODUCTION 9 | 9 |
VISUAL AND VERBAL IMAGERY | 16 |
THE THEATRICAL NOTATION OF CLIMACTIC SCENES | 48 |
Urheberrecht | |
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action alienation American appears audience Barabas becomes beginning behavior Benedick Bigger Cane chapter character Claudio comedy comic contrast criticism dark death distortion dramatic dream Duke Edward effect Ellison's emotion episode expression eyes face Faustus fear feeling fiction Fisk University function Gentlemen of Verona gestic gesture grotesque figure grotesque object grotesque situation grotesque traits hand Harlem hero hero's Hieronimo Hippolytus Ibid imagery interpretation Invisible Jean Toomer Kabnis Leonato looks lord Lorenzo Love's Labour's Lost Marlowe means Mephistopheles metaphor Midsummer Night's Dream mirror mirror-passages mirror-technique mood motif murder Negro night nightmare novel passage passion play Portia protagonist Ralph Ellison reaction reality reference reflexive revenge Richard Wright Rosalind scene seems Senecan Shadow and Act Shakespeare Shylock simile speech stage stage-direction story suggests symbolic Tamburlaine tesque thee Theseus thou Thyestes tion Twelfth Night underground visual whereas word-scenery Wright York