Cooper Monographs on English and American Language and Literature, Bände 21-23Francke Verlag, 1974 |
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Seite 72
... effect on him ; evidently he shows none of the reactions the Friar seems to expect . Turning our attention to Hero , we note that she is altogether too over- whelmed to be more than an almost completely passive victim of slander . She ...
... effect on him ; evidently he shows none of the reactions the Friar seems to expect . Turning our attention to Hero , we note that she is altogether too over- whelmed to be more than an almost completely passive victim of slander . She ...
Seite 28
... effect that the grotesque has on the beholder or the reader consists in a mixture of anxiety and ' spiritual superiority , ' of repulsion and fascination , of disgust and pity , of horror and amusement . It is very important to ...
... effect that the grotesque has on the beholder or the reader consists in a mixture of anxiety and ' spiritual superiority , ' of repulsion and fascination , of disgust and pity , of horror and amusement . It is very important to ...
Seite 106
... effect of the possibly not too brilliant spectacle . The climax of this demonstration is reached with the brief and ... effect must have been greatly intensified by the projective force of the angel's speech . In the first line the angel ...
... effect of the possibly not too brilliant spectacle . The climax of this demonstration is reached with the brief and ... effect must have been greatly intensified by the projective force of the angel's speech . In the first line the angel ...
Inhalt
INTRODUCTION 9 | 9 |
VISUAL AND VERBAL IMAGERY | 16 |
THE THEATRICAL NOTATION OF CLIMACTIC SCENES | 48 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action alienation American appears audience Barabas becomes beginning behavior Benedick Bigger Cane chapter character Claudio comedy comic contrast criticism dark death distortion dramatic dream Duke Edward effect Ellison's emotion episode expression eyes face Faustus fear feeling fiction Fisk University function Gentlemen of Verona gestic gesture grotesque figure grotesque object grotesque situation grotesque traits hand Harlem hero hero's Hieronimo Hippolytus Ibid imagery interpretation Invisible Jean Toomer Kabnis Leonato looks lord Lorenzo Love's Labour's Lost Marlowe means Mephistopheles metaphor Midsummer Night's Dream mirror mirror-passages mirror-technique mood motif murder Negro night nightmare novel passage passion play Portia protagonist Ralph Ellison reaction reality reference reflexive revenge Richard Wright Rosalind scene seems Senecan Shadow and Act Shakespeare Shylock simile speech stage stage-direction story suggests symbolic Tamburlaine tesque thee Theseus thou Thyestes tion Twelfth Night underground visual whereas word-scenery Wright York