Cooper Monographs on English and American Language and Literature, Bände 21-23Francke Verlag, 1974 |
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Seite 192
... contrast , the " patines of bright gold " were visible features of the Globe theatre ( probably a hindrance rather than a help to the imagination ) , the candle in Portia's hall was probably a stage- property , and Portia of course is ...
... contrast , the " patines of bright gold " were visible features of the Globe theatre ( probably a hindrance rather than a help to the imagination ) , the candle in Portia's hall was probably a stage- property , and Portia of course is ...
Seite 176
... contrast to other modern ' novels of passage , ' Invisible Man takes place , for the most part , in the uncharted spaces between the conscious and the unconscious , in the semilit darkness where nightmare verges on reality and the ...
... contrast to other modern ' novels of passage , ' Invisible Man takes place , for the most part , in the uncharted spaces between the conscious and the unconscious , in the semilit darkness where nightmare verges on reality and the ...
Seite 77
... contrast between his dire mental state as shown in his imaginary speech and his jolly physical behaviour at the end of the scene . This contrast creates the impression that Hieronimo's pas- sion now turns into real madness . Vision ...
... contrast between his dire mental state as shown in his imaginary speech and his jolly physical behaviour at the end of the scene . This contrast creates the impression that Hieronimo's pas- sion now turns into real madness . Vision ...
Inhalt
INTRODUCTION 9 | 9 |
VISUAL AND VERBAL IMAGERY | 16 |
THE THEATRICAL NOTATION OF CLIMACTIC SCENES | 48 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action alienation American appears audience Barabas becomes beginning behavior Benedick Bigger Cane chapter character Claudio comedy comic contrast criticism dark death distortion dramatic dream Duke Edward effect Ellison's emotion episode expression eyes face Faustus fear feeling fiction Fisk University function Gentlemen of Verona gestic gesture grotesque figure grotesque object grotesque situation grotesque traits hand Harlem hero hero's Hieronimo Hippolytus Ibid imagery interpretation Invisible Jean Toomer Kabnis Leonato looks lord Lorenzo Love's Labour's Lost Marlowe means Mephistopheles metaphor Midsummer Night's Dream mirror mirror-passages mirror-technique mood motif murder Negro night nightmare novel passage passion play Portia protagonist Ralph Ellison reaction reality reference reflexive revenge Richard Wright Rosalind scene seems Senecan Shadow and Act Shakespeare Shylock simile speech stage stage-direction story suggests symbolic Tamburlaine tesque thee Theseus thou Thyestes tion Twelfth Night underground visual whereas word-scenery Wright York