Cooper Monographs on English and American Language and Literature, Bände 21-23Francke Verlag, 1974 |
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Seite 26
... beginning of the contest : You shall try but one fall I. ii . 183 he had decreed in consideration of Orlando's youth . Speaking of Rosa- lind's love for Orlando , Celia still relies on the conceit so extensively used in I.ii. In the ...
... beginning of the contest : You shall try but one fall I. ii . 183 he had decreed in consideration of Orlando's youth . Speaking of Rosa- lind's love for Orlando , Celia still relies on the conceit so extensively used in I.ii. In the ...
Seite 213
... beginning of his atonement , which discloses his profound humanity , a process that neither Norton nor the young student are able or ready to comprehend . In addition , this example illustrates very convincingly the influence of the ...
... beginning of his atonement , which discloses his profound humanity , a process that neither Norton nor the young student are able or ready to comprehend . In addition , this example illustrates very convincingly the influence of the ...
Seite 128
... beginning of the play Barabas demonstrates his love of wealth by fondling his money . When the governor seizes upon his possessions , he reacts with violent expostulations against him . In his grief he kneels down and strikes the ground ...
... beginning of the play Barabas demonstrates his love of wealth by fondling his money . When the governor seizes upon his possessions , he reacts with violent expostulations against him . In his grief he kneels down and strikes the ground ...
Inhalt
INTRODUCTION 9 | 9 |
VISUAL AND VERBAL IMAGERY | 16 |
THE THEATRICAL NOTATION OF CLIMACTIC SCENES | 48 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action alienation American appears audience Barabas becomes beginning behavior Benedick Bigger Cane chapter character Claudio comedy comic contrast criticism dark death distortion dramatic dream Duke Edward effect Ellison's emotion episode expression eyes face Faustus fear feeling fiction Fisk University function Gentlemen of Verona gestic gesture grotesque figure grotesque object grotesque situation grotesque traits hand Harlem hero hero's Hieronimo Hippolytus Ibid imagery interpretation Invisible Jean Toomer Kabnis Leonato looks lord Lorenzo Love's Labour's Lost Marlowe means Mephistopheles metaphor Midsummer Night's Dream mirror mirror-passages mirror-technique mood motif murder Negro night nightmare novel passage passion play Portia protagonist Ralph Ellison reaction reality reference reflexive revenge Richard Wright Rosalind scene seems Senecan Shadow and Act Shakespeare Shylock simile speech stage stage-direction story suggests symbolic Tamburlaine tesque thee Theseus thou Thyestes tion Twelfth Night underground visual whereas word-scenery Wright York