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That, lost in long futurity, expire.

Fond, impious man, think'st thou yon sanguine cloud,
Raised by thy breath, has quenched the orb of day?
To-morrow he repairs the golden flood,

And warms the nations with redoubled ray.
Enough for me; with joy I see

The different doom our fates assign.
Be thine Despair, and sceptred Care;

To triumph, and to die, are mine.'

He spoke; and headlong from the mountain's height,
Deep in the roaring tide he plunged to endless night.

THE VILLAGE PASTOR.

(Oliver Goldsmith.)

[Born, 1728; died, 1774. Chief works-Poems: The Traveller,' 'Deserted Village, Retaliation,' and ballads. Numerous prose works, the chief of which Citizen of the World,' 'Vicar of Wakefield,' and several comedies.]

are,

NEAR yonder copse, where once the garden smiled,
And still where many a garden-flower grows wild;
There, where a few torn shrubs the place disclose,
The village preacher's modest mansion rose.
A man he was to all the country dear,
And passing rich with forty pounds a year;
Remote from towns he ran his godly race,

Nor e'er had changed, nor wished to change, his place;
Unskilful he to fawn, or seek for power
By doctrines fashioned to the varying hour;
For other aims his heart had learned to prize,
More bent to raise the wretched than to rise.
His house was known to all the vagrant train;
He chid their wanderings, but relieved their pain.
The long-remembered beggar was his guest,
Whose beard descending swept his aged breast;
The ruined spendthrift now no longer proud,
Claimed kindred there, and had his claims allowed;
The broken soldier, kindly bade to stay,
Sat by his fire, and talked the night away;

Wept o'er his wounds, or tales of sorrow done,

Shouldered his crutch, and showed how fields were won!

Pleased with his guests, the good man learned to glow,
And quite forgot their vices in their wo;
Careless their merits or their faults to scan,
His pity gave ere charity began.

Thus to relieve the wretched was his pride,
And even his failings leaned to virtue's side;
But in his duty prompt to every call,

He watched and wept, he prayed and felt for all;
And, as a bird each fond endearment tries,
To tempt her new-fledged offspring to the skies,
He tried each art, reproved each dull delay,
Allured to brighter worlds, and led the way.

Beside the bed where parting life was laid,
And sorrow, guilt, and pains, by turns dismayed,
The reverend champion stood. At his control,
Despair and anguish fled the struggling soul;
Comfort came down the trembling wretch to raise,
And his last faltering accents whispered praise.
At church, with meek and unaffected grace,
His looks adorned the venerable place;
Truth from his lips prevailed with double sway;
And fools, who came to scoff, remained to pray.
The service past, around the pious man,
With ready zeal, each honest rustic ran:
Even children followed with endearing wile,

And plucked his gown, to share the good man's smile;
His ready smile a parent's warmth expressed,
Their welfare pleased him, and their cares distressed;
To them his heart, his love, his griefs were given,
But all his serious thoughts had rest in heaven.
As some tall cliff that lifts its awful form,

Swells from the vale, and midway leaves the storm;
Though round its breast the rolling clouds are spread,
Eternal sunshine settles on its head.

The Deserted Village.

THE MINSTREL'S SONG.

(Thomas Chatterton.)

Born, 1752, committed suicide, 1770. Poems: Bristow Tragedy,' The Tragedy of Ella,'' Ode to Ella,'' Battle of Hastings,' The Tournament,' &c.. published under the name of Rowley, and written with antique spelling and phraseology.]

O! SING unto my roundelay;

O! drop the briny tear with me;

Dance no more at holiday,

Like a running river be;

My love is dead,

Gone to his death-bed,
All under the willow-tree.

Black his hair as the winter night,

White his neck as summer snow, Ruddy his face as the morning light, Cold he lies in the grave below: My love is dead,

Gone to his death-bed,

All under the willow-tree.

Sweet his tongue as throstle's note,
Quick in dance as thought was he;
Deft his tabor; cudgel stout;
Oh! he lies by the willow-tree.
My love is dead,

Gone to his death-bed,

All under the willow-tree.

Hark! the raven flaps his wing,
In the brier'd dell below;
Hark! the death-owl loud doth sing,
To the nightmares as they go.
My love is dead,

Gone to his death-bed,

All under the willow-tree.

See! the white moon shines on high;
Whiter is my true love's shroud;
Whiter than the morning sky,
Whiter than the evening cloud.
My love is dead,

Gone to his death-bed,

All under the willow-tree.

Here, upon my true love's grave
Shall the garish flowers be laid,
Nor one holy saint to save
All the sorrows of a maid.
My love is dead,

Gone to his death-bed,

All under the willow-tree.

With my hands I'll bind the briers,
Round his holy corse to gre;
Elfin-fairy, light your fires,
Here my body still shall be.
My love is dead,

Gone to his death-bed,

All under the willow-tree.

Come with acorn-cup and thorn,
Drain my beart's blood all away;
Life and all its good I scorn,
Dance by night, or feast by day.
My love is dead,

Gone to his death-bed,

Under the willow-tree.

Water witches crowned with reytes,
Bear me to your deadly tide.
I die I come-my true-love waits.
Thus the damsel spake, and died.

Ella.

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THE HERMIT.

(James Beattie.)

"
* [Born, 1735; died, 1803. Chief poem: The Minstrel.']

Ar the close of the day, when the hamlet is still,
And mortals the sweets of forgetfulness prove,
When nought but the torrent is heard on the hill,
And nought but the nightingale's song in the grove :
'Twas thus by the cave of the mountain afar,
While his harp rung symphonious, a hermit began :
No more with himself or with nature at war,
He thought as a sage, though he felt as a man.

'Ah! why all abandoned to darkness and wo,
Why, lone Philomela, that languishing fall ?
For spring shall return, and a lover bestow,
And sorrow no longer thy bosom enthral :
But, if pity inspire thee, renew the sad lay,
Mourn, sweetest complainer, man calls thee to mourn;
O soothe him, whose pleasures like thine pass away;
Full quickly they pass-but they never return.

'Now gliding remote on the verge of the sky,
The moon, half extinguished, her crescent displays:
But lately I marked, when majestic on high
She shone, and the planets were lost in her blaze.

Roll on, thou fair orb, and with gladness pursue
The path that conducts thee to splendour again:
But man's faded glory what change shall renew!
Ah fool! to exult in a glory so vain!

''Tis night, and the landscape is lovely no more;
I mourn, but, ye woodlands, I mourn not for you;
For morn is approaching, your charms to restore,
Perfumed with fresh fragrance, and glittering with dew:
Nor yet for the ravage of winter I mourn;
Kind Nature the embryo blossom will save.
But when shall spring visit the mouldering urn!
O when shall it dawn on the night of the grave!

'Twas thus by the glare of false science betrayed,
That leads, to bewilder; and dazzles, to blind;
My thoughts wont to roam, from shade onward to shade,
Destruction before me, and sorrow behind.

"O pity, great Father of light," then I cried,

"Thy creature who fain would not wander from Thee! Lo, humbled in dust, I relinquish my pride :

From doubt and from darkness Thou only canst free.”

And darkness and doubt are now flying away,
No longer I roam in conjecture forlorn.

So breaks on the traveller, faint, and astray,

The bright and the balmy effulgence of morn.

See Truth, Love, and Mercy, in triumph descending,
And Nature all glowing in Eden's first bloom!

On the cold cheek of Death smiles and roses are blending,
And Beauty immortal awakes from the tomb.'

The Minstrel.

DUODECIMALS.

(1) Multiply 11 ft. 3 in. by 7 ft. 9 in.

(2) Find the product of 24 ft. 9 in. and 1 ft. 9 in. 3". (3) Multiply 7 sq. ft. 8 in. 6" by 4 ft. 9 in. 8".

(4) Multiply together 51 ft. 7 in.; 2 ft. 1 in.; and 2 ft. 1 in. (5) Express the answers to the above four examples in feet and inches.

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