Shakespearean CriticismSandra L. Williamson Gale Research International, Limited, 1991 - 496 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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... tragic concerns , which one com- prises sufficient meaning to expose its counterpart as merely an arbitrary ending ? The first part of this essay will offer an abbreviated summary of the play's implicit comic argument for the systematic ...
... tragic concerns , which one com- prises sufficient meaning to expose its counterpart as merely an arbitrary ending ? The first part of this essay will offer an abbreviated summary of the play's implicit comic argument for the systematic ...
Seite 225
... tragic situations and events are like speaking pictures that are effectively staged as shows on which the charac- ters comment . This is foreign to the stylistic approach of King Lear , where the language is much more closely inte ...
... tragic situations and events are like speaking pictures that are effectively staged as shows on which the charac- ters comment . This is foreign to the stylistic approach of King Lear , where the language is much more closely inte ...
Seite 285
... tragic dignity and pathos , is the spectre that haunts Othel- lo and threatens to make him ridiculous throughout the play , especially when he falls into the trance ( 4. 1. 43 s.d. ) . Iago's swift diagnosis of the trance as epilepsy ...
... tragic dignity and pathos , is the spectre that haunts Othel- lo and threatens to make him ridiculous throughout the play , especially when he falls into the trance ( 4. 1. 43 s.d. ) . Iago's swift diagnosis of the trance as epilepsy ...
Inhalt
Food in The Comedy of Errors | 12 |
Failed Courtship | 24 |
Anthony Brian Taylor Goldings Ovid Shakespeares Small Latin | 33 |
Urheberrecht | |
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action actor Angelo Antony Antony and Cleopatra appears argues aristocratic audience blood Brutus Cambridge character Claudius Cleopatra comedy comic Cordelia court courtly critics cultural death discourse dramatic dream Duke Elizabethan emulation England English essay Essex Falstaff father final gender Hamlet hath Henry Hercules hero human Iago imagination John Julius Caesar King Lear Lady language Lear's Leontes lines London Lord Love's Labour's Lost Lysimachus Macbeth male means Measure for Measure Menaechmi ment mind moral murder nature Othello performance Pericles play's political Press Prince Prospero Quarto Queen reading Renaissance revenge rhetorical Richard Richard III role scene seems sense sexual Shake Shakespeare Shakespeare's play social soliloquy speak speare speare's spectators speech stage suggests theatre theatrical thee thou Timon Timon of Athens tion Titus tragedy tragic traitor treason Troilus and Cressida Univ vols Winter's Tale woman women words