Shakespearean CriticismSandra L. Williamson Gale Research International, Limited, 1991 - 496 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 146
... stage picture has gone ; suggestion has replaced painstakingly realistic imitation ' , with the result that ' more attention is focussed on the actor ' . Almost all substantial objects were removed from the main stage because settings ...
... stage picture has gone ; suggestion has replaced painstakingly realistic imitation ' , with the result that ' more attention is focussed on the actor ' . Almost all substantial objects were removed from the main stage because settings ...
Seite 169
... Stage Business in His Plays ( 1660-1905 ) ( Cambridge , Mass . , 1945 ) , p . 108. After the Restoration the play was not a favourite ; it appears not to have been performed until 1737 . 2 Roger Wood and Mary Clarke , Shakespeare at the ...
... Stage Business in His Plays ( 1660-1905 ) ( Cambridge , Mass . , 1945 ) , p . 108. After the Restoration the play was not a favourite ; it appears not to have been performed until 1737 . 2 Roger Wood and Mary Clarke , Shakespeare at the ...
Seite 184
... stage as the objects of theatrical representation . Common men , by contrast , could appear in their own persons . The stage directions that mark the first entrance of Cade's fol- lowers on Shakespeare's stage are revealing . Act IV ...
... stage as the objects of theatrical representation . Common men , by contrast , could appear in their own persons . The stage directions that mark the first entrance of Cade's fol- lowers on Shakespeare's stage are revealing . Act IV ...
Inhalt
Food in The Comedy of Errors | 12 |
Failed Courtship | 24 |
Anthony Brian Taylor Goldings Ovid Shakespeares Small Latin | 33 |
Urheberrecht | |
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action actor Angelo Antony Antony and Cleopatra appears argues aristocratic audience blood Brutus Cambridge character Claudius Cleopatra comedy comic Cordelia court courtly critics cultural death discourse dramatic dream Duke Elizabethan emulation England English essay Essex Falstaff father final gender Hamlet hath Henry Hercules hero human Iago imagination John Julius Caesar King Lear Lady language Lear's Leontes lines London Lord Love's Labour's Lost Lysimachus Macbeth male means Measure for Measure Menaechmi ment mind moral murder nature Othello performance Pericles play's political Press Prince Prospero Quarto Queen reading Renaissance revenge rhetorical Richard Richard III role scene seems sense sexual Shake Shakespeare Shakespeare's play social soliloquy speak speare speare's spectators speech stage suggests theatre theatrical thee thou Timon Timon of Athens tion Titus tragedy tragic traitor treason Troilus and Cressida Univ vols Winter's Tale woman women words