Shakespearean CriticismSandra L. Williamson Gale Research International, Limited, 1991 - 496 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 72
... gender relations to redirect , and recirculate , the exchange of ( vi- sual ) pleasure . This brief history suggests that Troilus and Cressida is ide- ally suited to bring into sharp focus , for female spectators , the contradictions ...
... gender relations to redirect , and recirculate , the exchange of ( vi- sual ) pleasure . This brief history suggests that Troilus and Cressida is ide- ally suited to bring into sharp focus , for female spectators , the contradictions ...
Seite 122
... gender . A significant number of recent cultural histories as well as culturally based readings of Elizabethan texts have focused attention on what Harley Granville - Barker first called " the boy actress " 2 as one of the keys to under ...
... gender . A significant number of recent cultural histories as well as culturally based readings of Elizabethan texts have focused attention on what Harley Granville - Barker first called " the boy actress " 2 as one of the keys to under ...
Seite 127
... Gender is examined in these comedies through , among other strategies , a relaxing of the constraints on gender definition and , especially in the breeches parts , in a dis- tancing of sex from gender . For Linda Bamber , the ...
... Gender is examined in these comedies through , among other strategies , a relaxing of the constraints on gender definition and , especially in the breeches parts , in a dis- tancing of sex from gender . For Linda Bamber , the ...
Inhalt
Food in The Comedy of Errors | 12 |
Failed Courtship | 24 |
Anthony Brian Taylor Goldings Ovid Shakespeares Small Latin | 33 |
Urheberrecht | |
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action actor Angelo Antony Antony and Cleopatra appears argues aristocratic audience blood Brutus Cambridge character Claudius Cleopatra comedy comic Cordelia court courtly critics cultural death discourse dramatic dream Duke Elizabethan emulation England English essay Essex Falstaff father final gender Hamlet hath Henry Hercules hero human Iago imagination John Julius Caesar King Lear Lady language Lear's Leontes lines London Lord Love's Labour's Lost Lysimachus Macbeth male means Measure for Measure Menaechmi ment mind moral murder nature Othello performance Pericles play's political Press Prince Prospero Quarto Queen reading Renaissance revenge rhetorical Richard Richard III role scene seems sense sexual Shake Shakespeare Shakespeare's play social soliloquy speak speare speare's spectators speech stage suggests theatre theatrical thee thou Timon Timon of Athens tion Titus tragedy tragic traitor treason Troilus and Cressida Univ vols Winter's Tale woman women words