Shakespearean CriticismSandra L. Williamson Gale Research International, Limited, 1991 - 496 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 163
... discourse into an arena which challenges that discourse , despite the fact that what is ac- tually said ought logically to underline rather than under- mine John's authority . Eleanor does not speak again until after Châtillon's exit at ...
... discourse into an arena which challenges that discourse , despite the fact that what is ac- tually said ought logically to underline rather than under- mine John's authority . Eleanor does not speak again until after Châtillon's exit at ...
Seite 426
... discourse . The play is constructed as a series of conspiracies , and as such it can be inserted into a vast discourse of treason that became an increasingly central response to difficult social problems in late Elizabethan and early ...
... discourse . The play is constructed as a series of conspiracies , and as such it can be inserted into a vast discourse of treason that became an increasingly central response to difficult social problems in late Elizabethan and early ...
Seite 440
... discourse and its relevance to Realpolitik rather than the quality of Prospero's magic , the magic itself has been the sub- ject of intense debate . See the fine discussion of this complex issue by Barbara A. Mowat , " Prospero ...
... discourse and its relevance to Realpolitik rather than the quality of Prospero's magic , the magic itself has been the sub- ject of intense debate . See the fine discussion of this complex issue by Barbara A. Mowat , " Prospero ...
Inhalt
Food in The Comedy of Errors | 12 |
Failed Courtship | 24 |
Anthony Brian Taylor Goldings Ovid Shakespeares Small Latin | 33 |
Urheberrecht | |
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action actor Angelo Antony Antony and Cleopatra appears argues aristocratic audience blood Brutus Cambridge character Claudius Cleopatra comedy comic Cordelia court courtly critics cultural death discourse dramatic dream Duke Elizabethan emulation England English essay Essex Falstaff father final gender Hamlet hath Henry Hercules hero human Iago imagination John Julius Caesar King Lear Lady language Lear's Leontes lines London Lord Love's Labour's Lost Lysimachus Macbeth male means Measure for Measure Menaechmi ment mind moral murder nature Othello performance Pericles play's political Press Prince Prospero Quarto Queen reading Renaissance revenge rhetorical Richard Richard III role scene seems sense sexual Shake Shakespeare Shakespeare's play social soliloquy speak speare speare's spectators speech stage suggests theatre theatrical thee thou Timon Timon of Athens tion Titus tragedy tragic traitor treason Troilus and Cressida Univ vols Winter's Tale woman women words