Shakespearean CriticismSandra L. Williamson Gale Research International, Limited, 1991 - 496 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 235
... Brutus at the end of the drama as " the noblest Roman of them all ( 5. 5. 68 ) , some- one supposedly free of envy who aimed only at the com- mon good of Rome , this statement , which may be con- trived as much to ennoble its speaker as ...
... Brutus at the end of the drama as " the noblest Roman of them all ( 5. 5. 68 ) , some- one supposedly free of envy who aimed only at the com- mon good of Rome , this statement , which may be con- trived as much to ennoble its speaker as ...
Seite 236
... Brutus and his associates simply cannot turn their opponent into a scapegoat ; indeed , as the action of the play unfolds , their attempt to do so turns into miserable failure . For Shakespeare's Roman senators , assassination is as in ...
... Brutus and his associates simply cannot turn their opponent into a scapegoat ; indeed , as the action of the play unfolds , their attempt to do so turns into miserable failure . For Shakespeare's Roman senators , assassination is as in ...
Seite 237
... Brutus ' love " ( 159- 61 ) . Significantly , they perform this act of communion and re- dedication just after Brutus has revealed to Cassius that Portia is dead . This sequence makes sense in the play be- cause it points to the way in ...
... Brutus ' love " ( 159- 61 ) . Significantly , they perform this act of communion and re- dedication just after Brutus has revealed to Cassius that Portia is dead . This sequence makes sense in the play be- cause it points to the way in ...
Inhalt
Food in The Comedy of Errors | 12 |
Failed Courtship | 24 |
Anthony Brian Taylor Goldings Ovid Shakespeares Small Latin | 33 |
Urheberrecht | |
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action actor Angelo Antony Antony and Cleopatra appears argues aristocratic audience blood Brutus Cambridge character Claudius Cleopatra comedy comic Cordelia court courtly critics cultural death discourse dramatic dream Duke Elizabethan emulation England English essay Essex Falstaff father final gender Hamlet hath Henry Hercules hero human Iago imagination John Julius Caesar King Lear Lady language Lear's Leontes lines London Lord Love's Labour's Lost Lysimachus Macbeth male means Measure for Measure Menaechmi ment mind moral murder nature Othello performance Pericles play's political Press Prince Prospero Quarto Queen reading Renaissance revenge rhetorical Richard Richard III role scene seems sense sexual Shake Shakespeare Shakespeare's play social soliloquy speak speare speare's spectators speech stage suggests theatre theatrical thee thou Timon Timon of Athens tion Titus tragedy tragic traitor treason Troilus and Cressida Univ vols Winter's Tale woman women words