I'd touch you; yes, I'll taint you see you this, ISA. If I want hands To kill myself before thou dost it, do. Is raging as the sea, and mad as fire. ISA. Torment me not, good devil. Well, my ISA. I'll tear mine eyes out if they tempt thy lust. ELEAZ. DO. ISA. Touch me not; these knives. Because I jest with you! I wrong Hortenzo. You are not bitter; no; you should have rail'd, ISA. Hah! fast? ELEA Z. Aye, fast in Philip's arms; Wrestling together for the price of love; By this they're on the way: I'll be your guard; Come follow me; I'll lead you in the van, [Aside.] Where thou shalt see four chins upon one chain. SCENE II. [Exeunt. Enter HORTENZO, QUEEN MOTHER, CARDINAL, Why do you yoke my neck with iron chains? this, Gratis, for nothing. CARD. Slaves, unbind us! BOTH. No. [Exeunt the two Moors. PHIL. I am impatient; veins, why crack you And tilt not, your blood into the face of heaven, To make red clouds, like ensigns in the sky, Displaying a damn'd tyrant's cruelty! Yet can I laugh in my extremest pangs Keep rank with me; and my vile mother queeu, HORTEN. And I can tell, True misery loves a companion well. PHIL. Thou left'st me to the mercy of a Moor, That hath damnation dy'd upon his flesh; Thou left'st me then, now thou art found and stay'd, And thou who didst betray me art betray'd. A plague upon you all! CARD. Thou cursest them, Whom I may curse: first, may I curse myself, Next may I curse the Moor, more than a devil; Q. Mo. All curses and all crosses light on thee! 'Tis not myself, but Isabel I fear. Enter ELEAZAR, ISABELLA, ZARACK, and BAL ELEAZ. It's strange! TAZAR. Will not Prince Philip come with Hortenzo? I pray persuade him, you, to leave the place. [Aside. A prison! why it's hell. Alas, here they be! ELEAZ. Oh, sweet airs, sweet voices! ELEAZ. Do not these birds sing sweetly, Isabella? Oh! how their spirits would leap aloft and spring, Had they their throats at liberty to sing! PHIL. Damnation dog thee! CARD. Furies follow thee! Q. Mo. Comets confound thee! ELEAZ. Sweeter and sweeter still. Oh, harmony! Why there's no music like to misery. ISA. Hast thou betray'd me thus ? ELEAZ. Not I, not I. PHIL. Sirrah! hedge-hog! ELEAZ. Hah! I'll hear thee presently. ISA. Hear me then, hell-hound; slaves, unchain my love, Or by ELEAZ. By what? Is't not rare walking here? PHIL. How brisk the villain jets in villany. ELEAZ. Prating! he's proud because he wears a chain : Take it off, Baltazar, and take him hence, [They unbind him. PHIL. And whither then, you dog? ISA. Pity my brother. ELEAZ. Pity him! no; away! I come, do come. PHIL. I pray thee kill me: come. ELEAZ. I hope to see Thy own hands do that office. PHIL. Is there another hell? Down with him! 2 MOORS. Try, try; [They thrust him into the dungeon] he's gone. ELEAZ.So him next, her next, and next him; and then ALL. Worse than damnation! fiend, monster of men! ELEAZ. Why, when? Down, down! CARD. Slave, as thou thrust'st me down Into this dungeon, so sink thou to hell. Q. Mo. Amen, amen. ELEAZ. Together so; and you. ISA. O pity my Hortenzo! HORTEN. Farewell, my Isabel! my life, adieu ! ALL. Mischief and horror, let the Moor pursue! ELEAZ. A concert! that amain; play that amain; Amain, amain. No; so soon fallen asleep! Nay, I'll not lose this music; sirrah, sirrah, Take thou a drum, a trumpet thou; and hark, |