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To what she wanted: I held down a branch
And gather'd her soine blossoms, since their hour
Was come, and bees had wounded them, and flies
Of harder wing were working their way through
And scattering them in fragments under foot.
So crisp were some, they rattled unevolved,
Others, ere broken off, fell into shells,
For such appear the petals when detach'd,
Unbending, brittle, lucid, white like snow,
And like snow not seen through, by eye or sun:
Yet every one her gown received from me
Was fairer than the first I thought not so,
But so she praised them to reward my care.
I said: "You find the largest."

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"This indeed," Cried she, "is large and sweet."

His name and life's brief date.
Pray for him, gentle souls, whoe'er you be,
And, oh: pray, too, for me!

To Corinth,

Queen of the double sea, beloved of him
Who shakes the world's foundations, thou hast seen
Glory in all her beauty, all her forms;
Seen her walk back with Theseus when he left
The bones of Sciron bleaching to the wind,
Above the ocean's roar and cormorant's flight,
So high that vastest billows from above
Shew but like herbage waving in the mead;
Seen generations throng thy Isthmian games,
And pass away the beautiful, the brave,
And them who sang their praises.

She held one forth,
Whether for me to look at or to take
She knew not, nor did I; but taking it
Would best have solved (and this she felt) her Audible still, and far beyond thy cliffs,

doubts.

I dared not touch it; for it seemed a part
Of her own self; fresh, full, the most mature
Of blossoms, yet a blossom; with a touch
To fall, and yet unfallen.

She drew back

The boon she tendered, and then, finding not
The ribbon at her waist to fix it in,
Dropt it, as loth to drop it, on the rest.

The Maid's Lament.

I loved him not; and yet, now he is gone,

I feel I am alone.

But, O Queen,

As when they first were uttered, are those words
Divine which praised the valiant and the just;
And tears have often stopt, upon that ridge
So perilous, him who brought before his eye
The Colchian babes.

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"And shall I too deceive?"

Cries from the fiery car an angry voice;
And swifter than two falling stars descend

I check'd him while he spoke; yet, could he speak, Two breathless bodies warm, soft, motionless, Alas! I would not check.

For reasons not to love him once I sought,
And wearied all my thought

To vex myself and him: I now would give
My love could he but live

Who lately lived for me, and, when he found
'Twas fain, in holy ground

He hid his face amid the shades of death!
I waste for him my breath

Who wasted his for me: but mine returns,
And this lorn bosom burns

With stifling heat, heaving it up in sleep,
And waking me to weep

Tears that had melted his soft heart: for years
Wept he as bitter tears!

"Merciful God!" such was his latest prayer,

"These may she never share!"

Quieter is his breath, his breast more cold
Than daisies in the mould,

Where children spell, athwart the churchyard
gate,

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As flowers in stillest noon before the sun,
They lie three paces from him such they lie
As when he left them sleeping side by side,
A mother's arm round each, a mother's cheeks
Between them, flushed with happiness and love.
He was more changed than they were- doomed
to shew
Thee and the stranger, how defaced and scarred
Grief hunts us down the precipice of years,
And whom the faithless prey upon the last.

To give the inertest masses of our earth
Her loveliest forms was thine, to fix the gods
Within thy walls, and hang their tripods round
With fruits and foliage knowing not decay.
A nobler work remains: thy citadel

Invites all Greece; o'er lands and floods remote
Many are the hearts that still beat high for thee:
Confide then in thy strength, and unappalled
Look down upon the plain, while yokemate kings
Run bellowing, where their herdsmen goad them on;

Instinct is sharp in them, and terror true

Ere you are sweet, but freed

They smell the floor whereon their necks must lie. From life, you then are prized; thus prized are

poets too.

The Briar.

My briar that smelledst sweet,
When gentle spring's first heat
Ran through thy quiet veins;
Thou that couldst injure none,
But wouldst be left alone,

Alone thou leavest me, and nought of thine remains.

What: hath no poet's lyre

O'er thee, sweet breathing briar,
Hung fondly, ill or well?
And yet, methinks with thee,
A poet's sympathy,

Whether in weal or woe in life or death, might dwell.

Hard usage both must bear,
Few hands your youth will rear,
Few bosoms cherish you;
Your tender prime must bleed

Sixteen.

In Clementina's artless mien
Lucilla asks me what I see,
And are the roses of sixteen

Enough for me?

Lucilla asks, if that be all,

Have I not cull'd as sweet before

Ah, yes, Lucilla: and their fall
I still deplore.

I now behold another scene,

Where pleasure beams with heaven's own light,
More pure, more constant, more serene,
And not less bright.

Faith, on whose breast the loves repose,
Whose chain of flowers no force can sever;
And Modesty, who, when she goes
Is gone for ever.

Campbell.

Thomas Campbell ward im Jahre 1777 in Glasgow geboren, studirte hier und zu Edinburg, sich auf beiden Universitäten durch seine glänzenden Fähigkeiten und Leistungen auszeichnend. Im Jahre 1800 bereiste er den Continent, verlebte ein volles Jahr in Deutschland und ging dann, 1803 nach London, wo er Professor an der Royal Institution wurde. Er starb daselbst allgemein verehrt 1844.

Campbell hat ausser vielen sehr elegant geschriebenen prosaischen Arbeiten und einer ziemlichen Anzahl kleinerer Poesieen, drei grössere poetische Werke: The Pleasures of Hope, Gertrude of Wyoming und Theodric geliefert. Eine Sammlung seiner poetischen Werke erschien 1837 mit Illustrationen von Turner, in 2 Bänden.

Reichthum der Phantasie, Tiefe und Wahrheit der Gefühls, begeisterte Wärme für alles Gute und Grosse und der höchste Glanz der Diction sind die schönsten Blüthen in Campbell's Dichterkranze, doch trifft ihn ein Tadel, der bei manchem Anderen als Lob erscheinen würde, er strebt zu ängstlich nach Correctheit und giebt sich daher nie dem Drange seines Genius hin, sondern fesselt diesen nur zu oft mit den eigensinnigen Ketten der Regel. Er reiht sich den grössten Dichtern seiner und aller Nationen auf das Würdigste an, und sein Name wie seine Werke werden allen Freunden echter Poesie unvergesslich bleiben.

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Never again shall my brothers embrace me? They died to defend me, or live to deplore! Where is my cabin door, fast by the wild wood? Sisters and sire! did ye weep for its fall? Where is the mother that look'd on my childhood?

And where is the bosom-friend, dearer than all? Oh, my sad heart! long abandon'd by pleasure, Why did it doat on a fast-fading treasure? Tears, like the rain-drop, may fall without measure,

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But rapture and beauty they cannot recal.

The last Man.

All worldly shapes shall melt in gloom, The sun himself must die,

Before this mortal shall assume

Its immortality!

I saw a vision in my sleep,

That gave my spirit strength to sweep
Adown the gulf of time!

I saw the last of human mould,
That shall creation's death behold,
As Adam saw her prime!

The sun's eye had a sickly glare,
The earth with age was wan;
The skeletons of nations were
Around that lonely man!
Some had expired in fight, the brands
Still rusted in their bony hands;

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In plague and famine some! Earth's cities had no sound nor tread: And ships were drifting with the dead To shores where all was dumb!

Yet, prophet-like, that lone one stood,
With dauntless words and high,
That shook the sere leaves from the wood
As if a storm pass'd by,

Saying, "We are twins in death, proud Sun,
Thy face is cold, thy race is run,

'Tis mercy bids thee go.

For thou ten thousand thousand years
Hast seen the tide of human tears,
That shall no longer flow.

"What though beneath thee man put forth
His pomp, his pride, his skill;
And arts that made fire, flood, and earth,
The vassals of his will:

Yet mourn I not thy parted sway,
Thou dim, discrowned king of day;

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