Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 20Gale Research Company, 1984 |
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Seite 212
... look down from great heights at his enemies or at the stone courtyard below . Many of Macbeth's lines are spoken as the camera looks elsewhere , the most striking instance being the swirl- ing mists and clouds into which we look with ...
... look down from great heights at his enemies or at the stone courtyard below . Many of Macbeth's lines are spoken as the camera looks elsewhere , the most striking instance being the swirl- ing mists and clouds into which we look with ...
Seite 339
... looks ' , she ' seized his arm , and . . . assumed a look of such anger and terror as cannot be surpassed . ' In the sleep - walking scene , most later ladies would project at least a touch of remorse ; no observers report this of Prit ...
... looks ' , she ' seized his arm , and . . . assumed a look of such anger and terror as cannot be surpassed . ' In the sleep - walking scene , most later ladies would project at least a touch of remorse ; no observers report this of Prit ...
Seite 403
... look or gesture , and this the actor will communicate to the audience by the very looks and gestures used . Macbeth's reaction to the Ghost of Banquo in the feast scene [ Act III , scene iv ] is therefore all the more effective because ...
... look or gesture , and this the actor will communicate to the audience by the very looks and gestures used . Macbeth's reaction to the Ghost of Banquo in the feast scene [ Act III , scene iv ] is therefore all the more effective because ...
Inhalt
List of Plays and Poems | xv |
Macbeth 1 | xx |
Timon of Athens | 425 |
Urheberrecht | |
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