Corpus TibullianumAmerican book Company, 1913 - 542 Seiten |
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Seite 14
... literary form may be conveniently divided into two periods , the Old and the New . The Old elegy ( 7th to 4th cent . B.C. ) comprises the old Ionian school , the Dorian school of the Peloponnese , Solon , Theognis , and their ...
... literary form may be conveniently divided into two periods , the Old and the New . The Old elegy ( 7th to 4th cent . B.C. ) comprises the old Ionian school , the Dorian school of the Peloponnese , Solon , Theognis , and their ...
Seite 18
... literary art give place to those which have been overlooked , forgotten , or ignored in previous times . There is a notable tendency to deal with ordinary men rather than with distinguished persons , gods , and heroes , as in other days ...
... literary art give place to those which have been overlooked , forgotten , or ignored in previous times . There is a notable tendency to deal with ordinary men rather than with distinguished persons , gods , and heroes , as in other days ...
Seite 20
... literary gossip ( in his Movσa ) . The growth of narrative elegy was encouraged not a little by the fact that both the poets and their readers were more interested in the legends and tales of the people than in the well - worn heroic ...
... literary gossip ( in his Movσa ) . The growth of narrative elegy was encouraged not a little by the fact that both the poets and their readers were more interested in the legends and tales of the people than in the well - worn heroic ...
Seite 21
... literary circle of Messalla . The example of the Airia was followed by Eratosthenes in his Ηριγόνη ( Attic aetiological legends ) . The Oavμáoia of Philostephanos and such works as the ' Opakά of Nikander mark the natural outcome of the ...
... literary circle of Messalla . The example of the Airia was followed by Eratosthenes in his Ηριγόνη ( Attic aetiological legends ) . The Oavμáoia of Philostephanos and such works as the ' Opakά of Nikander mark the natural outcome of the ...
Seite 25
... literary references , of the favourite myths and stories used for illustration , and of similar phenomena , espe- cially in Ovid and Propertius . We often get at the situation indirectly through the immediate or secondary influence of ...
... literary references , of the favourite myths and stories used for illustration , and of similar phenomena , espe- cially in Ovid and Propertius . We often get at the situation indirectly through the immediate or secondary influence of ...
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Häufige Begriffe und Wortgruppen
Aeneas Alexandrian Amat Amor anaphora Anth antique atque caesura Carm Cassius Dio Catull Catullus Cerinthus characteristic charm Cicero cura dative Delia deos deus distich echo elegiac elegy Ennius Epig epigram Epist Epod etiam Eurip Fasti favourite frag Greek haec hence Hesiod hexameter Horace illa imitation Introd ipse Latin literary Livy lover Lucan Lucret Lukian manu Marathus Messalla mihi modo Nemesis nocte nunc Odyss Ovid passage pede pentameter Petron Plautus Pliny plural Plutarch poem poet poet's poetry Priap Propert Propertius prose puella quae quam quid quis quod quoque quoted reference Roman saepe says semper Seneca Servius on Verg Sibyl Stat suggested Sulpicia sunt tamen Theb theme Theokrit tibi Tibullian Tibullus Tibullus's Trist tunc Varro venit Venus verb verba Vergil verse word δὲ ἐν καὶ τὸ
Beliebte Passagen
Seite 405 - The spinsters and the knitters in the sun, And the free maids that weave their thread with bones, Do use to chant it ; it is silly sooth, And dallies with the innocence of love, Like the old age.
Seite 382 - O'er many a frozen, many a fiery Alp, Rocks, caves, lakes, fens, bogs, dens, and shades of death, A universe of death ; which God by curse Created evil, for evil only good ; Where all life dies, death lives, and nature breeds, Perverse, all monstrous, all prodigious things, Abominable, inutterable, and worse Than fables yet have feigned, or fear conceived, Gorgons, and hydras, and chimeras dire.
Seite 490 - UPON JULIA'S CLOTHES WHENAS in silks my Julia goes Then, then (methinks) how sweetly flows The liquefaction of her clothes. Next, when I cast mine eyes and see That brave vibration each way free; O how that glittering taketh me!
Seite 383 - Cocyto eructat harenam. portitor has horrendus aquas et flumina servat terribili squalore Charon : cui plurima mento canities inculta iacet ; stant lumina flamma ; 300 sordidus ex umeris nodo dependet amictus. ipse ratem conto subigit velisque ministrat, et ferruginea subvectat corpora cumba, iam senior ; sed cruda deo viridisque senectus.
Seite 409 - Faire Venus sonne, that with thy cruell dart At that good knight so cunningly didst rove, That glorious fire it kindled in his hart...
Seite 302 - ... Come, you spirits That tend on mortal thoughts, unsex me here, And fill me from the crown to the toe top-full Of direst cruelty ! Make thick my blood ; Stop up...
Seite 198 - HIGH on a throne of royal state, which far Outshone the wealth of Ormus and of Ind, Or where the gorgeous East with richest hand Showers on her kings barbaric pearl and gold...
Seite 113 - Mors atra, precor: non hic mihi mater quae legat in maestos ossa perusta sinus, non soror, Assyrios cineri quae dedat odores et fleat effusis ante sepulcra comis.
Seite 139 - Fabula nunc ille est : sed cui sua cura puella est, Fabula sit mavult quam sine amore deus. At tu, quisquis is es, cui tristi fronte Cupido Imperat ut nostra sint tua castra domo, ***** Ferrea non Venerem, sed praedam, saecula laudant : 35 Praeda tamen multis est operata malis.
Seite 490 - Not, Celia, that I juster am Or better than the rest ; For I would change each hour, like them, Were not my heart at rest. But I am tied to very thee By every thought I have ; Thy face I only care to see, Thy heart I only crave. All that in woman is adored In thy dear self I find — For the whole sex can but afford The handsome and the kind.