Shakespearean CriticismCengage Gale, 1999 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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... never seem to give us any trouble ; we roar at Buster Keaton's unawareness of the logic of existence , from which only benevolent nature rescues him . The fool is often pre- sented to us in this way , as an object merely for scorn or ...
... never seem to give us any trouble ; we roar at Buster Keaton's unawareness of the logic of existence , from which only benevolent nature rescues him . The fool is often pre- sented to us in this way , as an object merely for scorn or ...
Seite 124
... never in the mood for this kind of non- sense , proceeds to demonstrate what these verses lack : If a hart do lack a ... never seen together . Costard's and Touchstone's sexuality is more intricate , but specifically because their ...
... never in the mood for this kind of non- sense , proceeds to demonstrate what these verses lack : If a hart do lack a ... never seen together . Costard's and Touchstone's sexuality is more intricate , but specifically because their ...
Seite 334
... never outlives posses- sion is nevertheless in love . During the rest of the play , he never utters more than two sentences in a row without mentioning Olivia , but Olivia is inexplicably absent from his speech on the spirit of love ...
... never outlives posses- sion is nevertheless in love . During the rest of the play , he never utters more than two sentences in a row without mentioning Olivia , but Olivia is inexplicably absent from his speech on the spirit of love ...
Inhalt
Shakespeares Clowns and Fools | 1 |
As You Like | 87 |
King Lear | 176 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor Arden Armin audience Audrey aware boy actor Celia Cesario characters clown comedy comic convention Cordelia court critics daughters death desire disguise dramatic Duke Senior Edgar Edmund Elizabethan essay date Falstaff father feel Feste Feste's final folly Fool's Forest of Arden Ganymede gender Gentlemen of Verona Gloucester Gloucester's Goneril Goneril and Regan Hamlet homoerotic human Illyria Jaques jester joke justice Kent kind King Lear lady Lear's Fool lines London lover male Malvolio Maria marriage marry meaning motley nature never Olivia Orlando Orsino Parolles play's Renaissance Robert Armin role Rosalind says scene Sebastian seems sense servant sexual Shake Shakespeare Sir Toby social society song speak speare speare's speech stage suggests tell Theatre thee things thou tion Touchstone Touchstone's traditional tragedy tragic truth Twelfth Night Videbæk Viola William Shakespeare wise woman women words