Shakespearean CriticismCengage Gale, 1999 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 58
... kind of critic , like the best kind of Fool , is always at hazard because both are more likely to speak a truth that no - one wishes to hear un- less they speak it themselves . VI Yet a further question arises from this consideration of ...
... kind of critic , like the best kind of Fool , is always at hazard because both are more likely to speak a truth that no - one wishes to hear un- less they speak it themselves . VI Yet a further question arises from this consideration of ...
Seite 133
... kind offer " to the audience . The fact that the boy is this time appealing primarily to the men , is clear with the repetition of beard : 36 And I am sure , as many as have good beards , or good faces , or sweet breaths , will for my kind ...
... kind offer " to the audience . The fact that the boy is this time appealing primarily to the men , is clear with the repetition of beard : 36 And I am sure , as many as have good beards , or good faces , or sweet breaths , will for my kind ...
Seite 306
... kind of repartee , having no other purpose than to exercise the participants and entertain their compan- ions . In a scene from The Two Gentlemen of Verona , however , the sport is given an edge of seriousness when Valentine is ...
... kind of repartee , having no other purpose than to exercise the participants and entertain their compan- ions . In a scene from The Two Gentlemen of Verona , however , the sport is given an edge of seriousness when Valentine is ...
Inhalt
Shakespeares Clowns and Fools | 1 |
As You Like | 87 |
King Lear | 176 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor Arden Armin audience Audrey aware boy actor Celia Cesario characters clown comedy comic convention Cordelia court critics daughters death desire disguise dramatic Duke Senior Edgar Edmund Elizabethan essay date Falstaff father feel Feste Feste's final folly Fool's Forest of Arden Ganymede gender Gentlemen of Verona Gloucester Gloucester's Goneril Goneril and Regan Hamlet homoerotic human Illyria Jaques jester joke justice Kent kind King Lear lady Lear's Fool lines London lover male Malvolio Maria marriage marry meaning motley nature never Olivia Orlando Orsino Parolles play's Renaissance Robert Armin role Rosalind says scene Sebastian seems sense servant sexual Shake Shakespeare Sir Toby social society song speak speare speare's speech stage suggests tell Theatre thee things thou tion Touchstone Touchstone's traditional tragedy tragic truth Twelfth Night Videbæk Viola William Shakespeare wise woman women words