Shakespearean CriticismCengage Gale, 1999 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 173
... final stage in this transitional development is ex- pressed in Amiens ' song at the end of Act II ( II . vii . 174-90 ) . This is the stage of pastoral timelessness which Halio , and other critics before him , noted as the chief ...
... final stage in this transitional development is ex- pressed in Amiens ' song at the end of Act II ( II . vii . 174-90 ) . This is the stage of pastoral timelessness which Halio , and other critics before him , noted as the chief ...
Seite 200
... final comment about the nasty night which has tried to destroy both King and Fool and which has , indeed , helped destroy Lear's wits , making Fool and King in- tellectually equal as Lear's first act had placed them on equal social and ...
... final comment about the nasty night which has tried to destroy both King and Fool and which has , indeed , helped destroy Lear's wits , making Fool and King in- tellectually equal as Lear's first act had placed them on equal social and ...
Seite 324
... final romances . In her program note , Anne Barton wrote that the play " crowns " the preced- ing run of comedies and " prefigures the final ro- mances . " 46 The Glasgow Herald , 25 August ; The Times , 22 August ; and the promptbook ...
... final romances . In her program note , Anne Barton wrote that the play " crowns " the preced- ing run of comedies and " prefigures the final ro- mances . " 46 The Glasgow Herald , 25 August ; The Times , 22 August ; and the promptbook ...
Inhalt
Shakespeares Clowns and Fools | 1 |
As You Like | 87 |
King Lear | 176 |
Urheberrecht | |
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action actor Arden Armin audience Audrey aware boy actor Celia Cesario characters clown comedy comic convention Cordelia court critics daughters death desire disguise dramatic Duke Senior Edgar Edmund Elizabethan essay date Falstaff father feel Feste Feste's final folly Fool's Forest of Arden Ganymede gender Gentlemen of Verona Gloucester Gloucester's Goneril Goneril and Regan Hamlet homoerotic human Illyria Jaques jester joke justice Kent kind King Lear lady Lear's Fool lines London lover male Malvolio Maria marriage marry meaning motley nature never Olivia Orlando Orsino Parolles play's Renaissance Robert Armin role Rosalind says scene Sebastian seems sense servant sexual Shake Shakespeare Sir Toby social society song speak speare speare's speech stage suggests tell Theatre thee things thou tion Touchstone Touchstone's traditional tragedy tragic truth Twelfth Night Videbæk Viola William Shakespeare wise woman women words