Shakespearean CriticismCengage Gale, 1999 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 112
... desire for Rosalind's happiness . Like Touch- stone's , Celia's argument is pseudo - logical , exploiting the syllogism's persuasive force . Unlike Touchstone , she finally urges her opponent to agree on the grounds of charity ( the ...
... desire for Rosalind's happiness . Like Touch- stone's , Celia's argument is pseudo - logical , exploiting the syllogism's persuasive force . Unlike Touchstone , she finally urges her opponent to agree on the grounds of charity ( the ...
Seite 143
... desire ( Celia ) from the woman who aban- dons it ( Rosalind ) . Traub's later reading , which still resists mapping erotic identity onto characters , moves closer to the position I take as my own - namely , that anxieties about ...
... desire ( Celia ) from the woman who aban- dons it ( Rosalind ) . Traub's later reading , which still resists mapping erotic identity onto characters , moves closer to the position I take as my own - namely , that anxieties about ...
Seite 334
... desire , they are identical personalities , each pursuing an inacces- sible object and thus avoiding the disenchantment that must occur when desire is satisfied . ] Orsino and Olivia are complex and refined characters . The duke has ...
... desire , they are identical personalities , each pursuing an inacces- sible object and thus avoiding the disenchantment that must occur when desire is satisfied . ] Orsino and Olivia are complex and refined characters . The duke has ...
Inhalt
Shakespeares Clowns and Fools | 1 |
As You Like | 87 |
King Lear | 176 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor Arden Armin audience Audrey aware boy actor Celia Cesario characters clown comedy comic convention Cordelia court critics daughters death desire disguise dramatic Duke Senior Edgar Edmund Elizabethan essay date Falstaff father feel Feste Feste's final folly Fool's Forest of Arden Ganymede gender Gentlemen of Verona Gloucester Gloucester's Goneril Goneril and Regan Hamlet homoerotic human Illyria Jaques jester joke justice Kent kind King Lear lady Lear's Fool lines London lover male Malvolio Maria marriage marry meaning motley nature never Olivia Orlando Orsino Parolles play's Renaissance Robert Armin role Rosalind says scene Sebastian seems sense servant sexual Shake Shakespeare Sir Toby social society song speak speare speare's speech stage suggests tell Theatre thee things thou tion Touchstone Touchstone's traditional tragedy tragic truth Twelfth Night Videbæk Viola William Shakespeare wise woman women words