Shakespearean CriticismCengage Gale, 1999 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 53
... actor and role . For example , all the actors quite deliberately stepped out of character when they were not required to be an integral part of the spoken or visual action and watched ( in their own ' real ' personalities as it were ) ...
... actor and role . For example , all the actors quite deliberately stepped out of character when they were not required to be an integral part of the spoken or visual action and watched ( in their own ' real ' personalities as it were ) ...
Seite 130
... actor is suggested in the play . Whether or not the boy actor who plays Rosalind / Ganymede is homosexual , the text of the play comi- cally points to the potential homosexual relationship between boys . While it has been argued by ...
... actor is suggested in the play . Whether or not the boy actor who plays Rosalind / Ganymede is homosexual , the text of the play comi- cally points to the potential homosexual relationship between boys . While it has been argued by ...
Seite 220
... actor's role change at any moment . For instance ( Stephen Booth's example , p . 164 , n . 20 ) , " If the actor who played Cordelia in Ii is a maid no longer - is now playing the Fool - then the Fool's exit speech , ' She that's a maid ...
... actor's role change at any moment . For instance ( Stephen Booth's example , p . 164 , n . 20 ) , " If the actor who played Cordelia in Ii is a maid no longer - is now playing the Fool - then the Fool's exit speech , ' She that's a maid ...
Inhalt
Shakespeares Clowns and Fools | 1 |
As You Like | 87 |
King Lear | 176 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor Arden Armin audience Audrey aware boy actor Celia Cesario characters clown comedy comic convention Cordelia court critics daughters death desire disguise dramatic Duke Senior Edgar Edmund Elizabethan essay date Falstaff father feel Feste Feste's final folly Fool's Forest of Arden Ganymede gender Gentlemen of Verona Gloucester Gloucester's Goneril Goneril and Regan Hamlet homoerotic human Illyria Jaques jester joke justice Kent kind King Lear lady Lear's Fool lines London lover male Malvolio Maria marriage marry meaning motley nature never Olivia Orlando Orsino Parolles play's Renaissance Robert Armin role Rosalind says scene Sebastian seems sense servant sexual Shake Shakespeare Sir Toby social society song speak speare speare's speech stage suggests tell Theatre thee things thou tion Touchstone Touchstone's traditional tragedy tragic truth Twelfth Night Videbæk Viola William Shakespeare wise woman women words