Shakespearean CriticismCengage Gale, 2002 - 448 Seiten This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. Beginning with Vol. 60, the series replaced its annual compilation of essays representing the year's most noteworthy Shakespearean scholarship with topic entries, comprised of essays that analyze various topics or themes found Shakespeare's works. Approximately 90-95% of critical essays are full text. Each volume includes a cumulative character index, a topic index and a topic index arranged by play title. - Publisher. |
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... death as motivation for their rebellion , a simplicity he could not have derived directly from Holinshed . In the chronicle Arthur's death was not an English concern at all , and only TR's conflation could make it so . Therefore , in ...
... death as motivation for their rebellion , a simplicity he could not have derived directly from Holinshed . In the chronicle Arthur's death was not an English concern at all , and only TR's conflation could make it so . Therefore , in ...
Seite 181
... death has not , until very recently , received comparable attention , and it is agreed that Iago is solely responsible for her death . My argument is that Des- demona and Emilia die similar deaths for similar reasons . In each case ...
... death has not , until very recently , received comparable attention , and it is agreed that Iago is solely responsible for her death . My argument is that Des- demona and Emilia die similar deaths for similar reasons . In each case ...
Seite 231
... death has consequences almost immediately in the madness and death of Ophelia , another example of the chaos wrought when passion is let loose . She , too , falls prey to excess . Hamlet speaks of the way the base nature , coming ...
... death has consequences almost immediately in the madness and death of Ophelia , another example of the chaos wrought when passion is let loose . She , too , falls prey to excess . Hamlet speaks of the way the base nature , coming ...
Inhalt
King John | 1 |
Character Studies | 38 |
Production Reviews | 62 |
Urheberrecht | |
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action Antigonus argues Arthur audience Autolycus Bastard becomes blood Brabantio Camillo Cassio character Christian claim Claudius comedy Constance critics cultural death demona Desdemona desire discourse dramatic Eleanor Elizabethan Emilia England English Erinyes essay father Faulconbridge Florizel ghost Hamlet handkerchief hath heaven Henry Hermione Hermione's Hieronimo human husband Iago Iago's innocence John's kill King John Laertes language Lavinia Leontes London lord Macbeth madness male Mamillius marriage means ment metaphor misogyny moral mother motif murder nature Othello Pandulph passion Paulina Perdita Philip play's plot political Polixenes present Press Prince Prospero relationship Renaissance response revenge play revenge tragedy rhetoric Richard Richard III role says scene sense sexual Shake Shakespeare Shakespeare's play Spanish Tragedy speak speare speare's speech stage suggests Tamora Tempest theatrical thee thou tion Titus Andronicus tragic Troublesome Raigne truth Univ vengeance Venice wife Winter's Tale woman women words