A Companion to Renaissance DramaArthur F. Kinney John Wiley & Sons, 15.04.2008 - 644 Seiten This expansive, inter-disciplinary guide to Renaissance plays and the world they played to gives readers a colorful overview of England's great dramatic age.
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Seite xiii
... Theater: Plebeian Culture and the Structure of Authority in Renaissance England. Mark Thornton Burnett is a Reader in English at the Queen's University of Belfast. He is the author of Masters and Servants in English Renaissance Drama ...
... Theater: Plebeian Culture and the Structure of Authority in Renaissance England. Mark Thornton Burnett is a Reader in English at the Queen's University of Belfast. He is the author of Masters and Servants in English Renaissance Drama ...
Seite xvi
... Theater and the Book (1989) and is currently writing a book entitled Circe's Rod: Shakespeare and the Disciplines of Culture. Roslyn L. Knutson, Professor of English at the University of Arkansas at Little Rock, is the author of Playing ...
... Theater and the Book (1989) and is currently writing a book entitled Circe's Rod: Shakespeare and the Disciplines of Culture. Roslyn L. Knutson, Professor of English at the University of Arkansas at Little Rock, is the author of Playing ...
Seite 1
... theaters like the Theatre and the Curtain, the Globe and Rose and Fortune; or the private London theaters such as Blackfriars – theater was so commonplace a cultural practice that it must have been in the blood of every person in London ...
... theaters like the Theatre and the Curtain, the Globe and Rose and Fortune; or the private London theaters such as Blackfriars – theater was so commonplace a cultural practice that it must have been in the blood of every person in London ...
Seite 2
... theater, then, acts as a metaphor by linking the actions performed in it to actions in the lives ofplaygoers by analogy. In a time when theater was the only widespread public medium for commentary on religious, political, and social ...
... theater, then, acts as a metaphor by linking the actions performed in it to actions in the lives ofplaygoers by analogy. In a time when theater was the only widespread public medium for commentary on religious, political, and social ...
Seite 3
... theaters and work with the artificial scenery of great halls and private performances by word and action, so they ... theater played to, the world the audience lived in daily. Renaissance drama first spoke powerfully to its audiences ...
... theaters and work with the artificial scenery of great halls and private performances by word and action, so they ... theater played to, the world the audience lived in daily. Renaissance drama first spoke powerfully to its audiences ...
Inhalt
1 | |
11 | |
PART TWO The World of Drama | 145 |
PART THREE Kinds of Drama | 237 |
PART FOUR Dramatists | 431 |
Index | 584 |
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Häufige Begriffe und Wortgruppen
actors Admiral’s Arden audience authority Beaumont and Fletcher Ben Jonson Blackfriars Cambridge University Press century Chamberlain’s characters Christopher Marlowe church city comedy city’s civic closet drama collaboration comic court critics culture Dekker dramatists Early Modern England Edward Edward Alleyn Elizabeth Elizabethan England English Drama English Renaissance entertainments entry female Ford’s gender genre Henry Heywood Heywood’s household Jacobean James John Jonson king King’s Lady license literary London Lord malcontent Marlowe Marlowe’s marriage Marston Mary Sidney masque mayor medieval Middleton moral Oxford pageants patrons Paul’s performed Philaster Philip Henslowe play’s players plays playwrights plot political popular Protestant public playhouses public theaters Queen religious Renaissance Drama repertory Revels revenge Richard role romance royal satire scene sexual Shakespeare Sidney Sidney’s social spectators stage Tamburlaine theater theatrical Thomas Thomas Dekker tion tradition tragedy tragicomedy troupe Tudor Webster William witches women writing Wroth York