A Companion to Renaissance DramaArthur F. Kinney John Wiley & Sons, 15.04.2008 - 644 Seiten This expansive, inter-disciplinary guide to Renaissance plays and the world they played to gives readers a colorful overview of England's great dramatic age.
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Seite xiv
... Protestant Imagination in England, 1570–1620. Alison Findlay is a Senior Lecturer in the Department of English at Lancaster University. She is the author of Illegitimate Power: Bastards in Renaissance Drama (1994) and A Feminist ...
... Protestant Imagination in England, 1570–1620. Alison Findlay is a Senior Lecturer in the Department of English at Lancaster University. She is the author of Illegitimate Power: Bastards in Renaissance Drama (1994) and A Feminist ...
Seite 13
... Protestant subjects, and tried to avoid the pitfalls ofideological warfare, despite Catholic attempts to kill him. He, too, however, was drawn into Continental conflicts in defense of Protestantism. The decisions of both monarchs ...
... Protestant subjects, and tried to avoid the pitfalls ofideological warfare, despite Catholic attempts to kill him. He, too, however, was drawn into Continental conflicts in defense of Protestantism. The decisions of both monarchs ...
Seite 14
... Protestant identity and encouraged England to do battle in defense of the faith. The more Puritanical were especially concerned to help beleaguered co-religionists in the Spanish Netherlands, where Calvinist rebels were fighting Spanish ...
... Protestant identity and encouraged England to do battle in defense of the faith. The more Puritanical were especially concerned to help beleaguered co-religionists in the Spanish Netherlands, where Calvinist rebels were fighting Spanish ...
Seite 15
... Protestant in Scotland. However, Philip II procured a declaration from the pope naming him the heir of Mary, rather than her son James VI, and began planning an invasion of England as a preliminary to defeating the rebels in the Low ...
... Protestant in Scotland. However, Philip II procured a declaration from the pope naming him the heir of Mary, rather than her son James VI, and began planning an invasion of England as a preliminary to defeating the rebels in the Low ...
Seite 16
... Protestant army counterbalanced the Spanish Catholic army in the Netherlands. This strategy worked for a while, but it drew Spain into direct intervention in France. Spanish troops occupied Blavet in Brittany, giving them a base for ...
... Protestant army counterbalanced the Spanish Catholic army in the Netherlands. This strategy worked for a while, but it drew Spain into direct intervention in France. Spanish troops occupied Blavet in Brittany, giving them a base for ...
Inhalt
1 | |
11 | |
PART TWO The World of Drama | 145 |
PART THREE Kinds of Drama | 237 |
PART FOUR Dramatists | 431 |
Index | 584 |
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Häufige Begriffe und Wortgruppen
actors Admiral’s Arden audience authority Beaumont and Fletcher Ben Jonson Blackfriars Cambridge University Press century Chamberlain’s characters Christopher Marlowe church city comedy city’s civic closet drama collaboration comic court critics culture Dekker dramatists Early Modern England Edward Edward Alleyn Elizabeth Elizabethan England English Drama English Renaissance entertainments entry female Ford’s gender genre Henry Heywood Heywood’s household Jacobean James John Jonson king King’s Lady license literary London Lord malcontent Marlowe Marlowe’s marriage Marston Mary Sidney masque mayor medieval Middleton moral Oxford pageants patrons Paul’s performed Philaster Philip Henslowe play’s players plays playwrights plot political popular Protestant public playhouses public theaters Queen religious Renaissance Drama repertory Revels revenge Richard role romance royal satire scene sexual Shakespeare Sidney Sidney’s social spectators stage Tamburlaine theater theatrical Thomas Thomas Dekker tion tradition tragedy tragicomedy troupe Tudor Webster William witches women writing Wroth York