A Companion to Renaissance DramaArthur F. Kinney John Wiley & Sons, 15.04.2008 - 644 Seiten This expansive, inter-disciplinary guide to Renaissance plays and the world they played to gives readers a colorful overview of England's great dramatic age.
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Seite x
Arthur F. Kinney. 36 Collaboration Philip C. McGuire 37 John Webster Elli Abraham Shellist 38 John Ford Mario DiGangi Index 540 553 567 584 Plate 1 Plate 2 Plate 3 Plate 4 Plate 5. x Contents.
Arthur F. Kinney. 36 Collaboration Philip C. McGuire 37 John Webster Elli Abraham Shellist 38 John Ford Mario DiGangi Index 540 553 567 584 Plate 1 Plate 2 Plate 3 Plate 4 Plate 5. x Contents.
Seite xv
... Ford, and Rowley for the New Mermaids (1998) and, most recently, Renaissance Drama: An Anthology ofPlays and Entertainments from manuscripts and first quartos for Blackwell (1999). Robert S. Knapp is Professor of English and Humanities ...
... Ford, and Rowley for the New Mermaids (1998) and, most recently, Renaissance Drama: An Anthology ofPlays and Entertainments from manuscripts and first quartos for Blackwell (1999). Robert S. Knapp is Professor of English and Humanities ...
Seite 17
... Ford in 1599, Elizabeth sent the chivalrous earl of Essex to Ireland to take command. Bragging he would quickly defeat O'Neill, he dallied. Then, when directly ordered by the queen to attack, he made a truce instead. It left the Irish ...
... Ford in 1599, Elizabeth sent the chivalrous earl of Essex to Ireland to take command. Bragging he would quickly defeat O'Neill, he dallied. Then, when directly ordered by the queen to attack, he made a truce instead. It left the Irish ...
Seite 142
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Inhalt
1 | |
11 | |
PART TWO The World of Drama | 145 |
PART THREE Kinds of Drama | 237 |
PART FOUR Dramatists | 431 |
Index | 584 |
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Häufige Begriffe und Wortgruppen
actors Admiral’s Arden audience authority Beaumont and Fletcher Ben Jonson Blackfriars Cambridge University Press century Chamberlain’s characters Christopher Marlowe church city comedy city’s civic closet drama collaboration comic court critics culture Dekker dramatists Early Modern England Edward Edward Alleyn Elizabeth Elizabethan England English Drama English Renaissance entertainments entry female Ford’s gender genre Henry Heywood Heywood’s household Jacobean James John Jonson king King’s Lady license literary London Lord malcontent Marlowe Marlowe’s marriage Marston Mary Sidney masque mayor medieval Middleton moral Oxford pageants patrons Paul’s performed Philaster Philip Henslowe play’s players plays playwrights plot political popular Protestant public playhouses public theaters Queen religious Renaissance Drama repertory Revels revenge Richard role romance royal satire scene sexual Shakespeare Sidney Sidney’s social spectators stage Tamburlaine theater theatrical Thomas Thomas Dekker tion tradition tragedy tragicomedy troupe Tudor Webster William witches women writing Wroth York