A Companion to Renaissance DramaArthur F. Kinney John Wiley & Sons, 15.04.2008 - 644 Seiten This expansive, inter-disciplinary guide to Renaissance plays and the world they played to gives readers a colorful overview of England's great dramatic age.
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Seite xiii
... Edward Alleyn. With Marion WynneDavies she has co-edited Renaissance Drama by Women (1995) and Readings in Renaissance Women's Drama (1998). The author of numerous articles on Renaissance theater history, she also served as a curator of ...
... Edward Alleyn. With Marion WynneDavies she has co-edited Renaissance Drama by Women (1995) and Readings in Renaissance Women's Drama (1998). The author of numerous articles on Renaissance theater history, she also served as a curator of ...
Seite xiv
... Edward, Lord Herbert ofCherbury (1987) and of numerous essays on Elizabethan tragedy. He co-edited Tudor England: An Encyclopedia (2001). Maurice Hunt, Professor of English and Head of the English Department at Baylor University, is the ...
... Edward, Lord Herbert ofCherbury (1987) and of numerous essays on Elizabethan tragedy. He co-edited Tudor England: An Encyclopedia (2001). Maurice Hunt, Professor of English and Head of the English Department at Baylor University, is the ...
Seite 3
... , and, somewhat later that year, published by Edward White. The play follows closely an account of an historic event published in the Breviat Chronicle for 1551: This year on S. Valentine's day at Faversham in Kent. Introduction 3.
... , and, somewhat later that year, published by Edward White. The play follows closely an account of an historic event published in the Breviat Chronicle for 1551: This year on S. Valentine's day at Faversham in Kent. Introduction 3.
Seite 4
... Edward VI; the 1592 play was performed under Elizabeth I; and the concerns in these periods were very different. The flashpoint during the reign of Edward was the rapid accumulation of private property following the recent dissolution ...
... Edward VI; the 1592 play was performed under Elizabeth I; and the concerns in these periods were very different. The flashpoint during the reign of Edward was the rapid accumulation of private property following the recent dissolution ...
Seite 6
... Edward White could get out his publication; and that White demanded that the Stationer's Company call in all ofJeffes' copies and destroy them and confiscate the rest of the edition. Clearly Arden ofFaversham had (once again, perhaps) ...
... Edward White could get out his publication; and that White demanded that the Stationer's Company call in all ofJeffes' copies and destroy them and confiscate the rest of the edition. Clearly Arden ofFaversham had (once again, perhaps) ...
Inhalt
1 | |
11 | |
PART TWO The World of Drama | 145 |
PART THREE Kinds of Drama | 237 |
PART FOUR Dramatists | 431 |
Index | 584 |
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Häufige Begriffe und Wortgruppen
actors Admiral’s Arden audience authority Beaumont and Fletcher Ben Jonson Blackfriars Cambridge University Press century Chamberlain’s characters Christopher Marlowe church city comedy city’s civic closet drama collaboration comic court critics culture Dekker dramatists Early Modern England Edward Edward Alleyn Elizabeth Elizabethan England English Drama English Renaissance entertainments entry female Ford’s gender genre Henry Heywood Heywood’s household Jacobean James John Jonson king King’s Lady license literary London Lord malcontent Marlowe Marlowe’s marriage Marston Mary Sidney masque mayor medieval Middleton moral Oxford pageants patrons Paul’s performed Philaster Philip Henslowe play’s players plays playwrights plot political popular Protestant public playhouses public theaters Queen religious Renaissance Drama repertory Revels revenge Richard role romance royal satire scene sexual Shakespeare Sidney Sidney’s social spectators stage Tamburlaine theater theatrical Thomas Thomas Dekker tion tradition tragedy tragicomedy troupe Tudor Webster William witches women writing Wroth York