Shakespearean CriticismGale Research International, Limited, 1996 - 400 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 139
... thing superfluous ( 264-65 ) Once on the heath , Lear ceases to resist the beggar image and instead seeks it : Poor naked wretches , wheresoe'er you are , That bide the pelting of this pitiless storm , How shall your houseless heads and ...
... thing superfluous ( 264-65 ) Once on the heath , Lear ceases to resist the beggar image and instead seeks it : Poor naked wretches , wheresoe'er you are , That bide the pelting of this pitiless storm , How shall your houseless heads and ...
Seite 166
... thing itself was there . At the beginning , Lear addresses himself to the achievement of his ideal , and to the part ... things , and give the completest form and pressure to his sense of tragedy . It is concerned with discrepancy : the ...
... thing itself was there . At the beginning , Lear addresses himself to the achievement of his ideal , and to the part ... things , and give the completest form and pressure to his sense of tragedy . It is concerned with discrepancy : the ...
Seite 167
... thing . But the unwinding of the plot emphasises it . The encounters of Edgar and Oswald , of Edmund and Edgar , are as hasty and provisional as the last we see of Lear and Cordelia in life together . In the context of action truth to ...
... thing . But the unwinding of the plot emphasises it . The encounters of Edgar and Oswald , of Edmund and Edgar , are as hasty and provisional as the last we see of Lear and Cordelia in life together . In the context of action truth to ...
Inhalt
Women in Shakespeare | 1 |
King Lear | 75 |
The Taming of the Shrew | 260 |
Urheberrecht | |
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action actor androgyny Antony Antony and Cleopatra appear audience Beatrice and Benedick Beatrice's Benedick Benedick and Beatrice Bianca boy-actress chio Claudio Cleopatra comedies comic conventional Cordelia Coriolanus critics Cymbeline daugh daughters death disguise Dogberry Don John Don Pedro dramatic Edmund Elizabethan English essay date fantasy father female characters feminine feminism feminist gender Goneril hath Hero Hero's heroines husband ideal joke Kate Kate's kind King Lear language Lear's Leonato lord Love's Love's Labour's Lost lover Lucentio Macbeth male marriage married masculine mother nature obedience Othello patriarchal performance Petruchio play's plot Portia problem comedies Regan Renaissance role romance Rosalind scene seems sense sexual Shake Shakespeare Shakespeare's plays Shrew Sinead Cusack social speak speare's speech stage suggests Taming theatrical thee theme thou tion tragedy Twelfth Night Viola Volumnia wedding wife woman women wooing words young