Shakespearean CriticismGale Research International, Limited, 1996 - 400 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 50
... theatrical . The marginal status of women in Shakespeare's historical sources is reproduced in his history plays by a process of geographical and generic containment , which also marks the boundaries between the idealized masculine ...
... theatrical . The marginal status of women in Shakespeare's historical sources is reproduced in his history plays by a process of geographical and generic containment , which also marks the boundaries between the idealized masculine ...
Seite 69
... theatrical enterprise which completely excluded women , construct gender from a relentlessly androcentric perspective . Yet , as McLuskie also re- marks , " the gap between textual meaning and social meaning can never be completely ...
... theatrical enterprise which completely excluded women , construct gender from a relentlessly androcentric perspective . Yet , as McLuskie also re- marks , " the gap between textual meaning and social meaning can never be completely ...
Seite 72
... theatrical practice encounters in re - interpreting " the patriarchal bard . " Can one suit the action to the word if the word sub- verts the speaker ? The 1987 Stratford , Ontario pro- duction resolved the dilemma in favor of the ...
... theatrical practice encounters in re - interpreting " the patriarchal bard . " Can one suit the action to the word if the word sub- verts the speaker ? The 1987 Stratford , Ontario pro- duction resolved the dilemma in favor of the ...
Inhalt
Women in Shakespeare | 1 |
King Lear | 75 |
The Taming of the Shrew | 260 |
Urheberrecht | |
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action actor androgyny Antony Antony and Cleopatra appear audience Beatrice and Benedick Beatrice's Benedick Benedick and Beatrice Bianca boy-actress chio Claudio Cleopatra comedies comic conventional Cordelia Coriolanus critics Cymbeline daugh daughters death disguise Dogberry Don John Don Pedro dramatic Edmund Elizabethan English essay date fantasy father female characters feminine feminism feminist gender Goneril hath Hero Hero's heroines husband ideal joke Kate Kate's kind King Lear language Lear's Leonato lord Love's Love's Labour's Lost lover Lucentio Macbeth male marriage married masculine mother nature obedience Othello patriarchal performance Petruchio play's plot Portia problem comedies Regan Renaissance role romance Rosalind scene seems sense sexual Shake Shakespeare Shakespeare's plays Shrew Sinead Cusack social speak speare's speech stage suggests Taming theatrical thee theme thou tion tragedy Twelfth Night Viola Volumnia wedding wife woman women wooing words young