Shakespearean CriticismGale Research International, Limited, 1996 - 400 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 120
... suggests that Lear's disgust with women's lust is so strong because it is really disgust with himself ; at the same time , his initial expectations of Cordelia's " kind nurs- ery " are so high because he identifies her with nurtur- ing ...
... suggests that Lear's disgust with women's lust is so strong because it is really disgust with himself ; at the same time , his initial expectations of Cordelia's " kind nurs- ery " are so high because he identifies her with nurtur- ing ...
Seite 121
... suggests their limitations . Northrop Frye [ in " The Argument of Comedy , " En- glish Institute Essays , 1948 ] , noting the emphasis on forgiveness in Shakespeare's comedies , claims that it results from " impersonal concentration on ...
... suggests their limitations . Northrop Frye [ in " The Argument of Comedy , " En- glish Institute Essays , 1948 ] , noting the emphasis on forgiveness in Shakespeare's comedies , claims that it results from " impersonal concentration on ...
Seite 210
... suggests that the comic gaiety has a firm underpinning of thematic and intellectual richness . This observation should seem less remarkable now that Northrop Frye [ in " The Argument of Comedy , " from English Institute Essays , 1948 ...
... suggests that the comic gaiety has a firm underpinning of thematic and intellectual richness . This observation should seem less remarkable now that Northrop Frye [ in " The Argument of Comedy , " from English Institute Essays , 1948 ...
Inhalt
Women in Shakespeare | 1 |
King Lear | 75 |
The Taming of the Shrew | 260 |
Urheberrecht | |
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action actor androgyny Antony Antony and Cleopatra appear audience Beatrice and Benedick Beatrice's Benedick Benedick and Beatrice Bianca boy-actress chio Claudio Cleopatra comedies comic conventional Cordelia Coriolanus critics Cymbeline daugh daughters death disguise Dogberry Don John Don Pedro dramatic Edmund Elizabethan English essay date fantasy father female characters feminine feminism feminist gender Goneril hath Hero Hero's heroines husband ideal joke Kate Kate's kind King Lear language Lear's Leonato lord Love's Love's Labour's Lost lover Lucentio Macbeth male marriage married masculine mother nature obedience Othello patriarchal performance Petruchio play's plot Portia problem comedies Regan Renaissance role romance Rosalind scene seems sense sexual Shake Shakespeare Shakespeare's plays Shrew Sinead Cusack social speak speare's speech stage suggests Taming theatrical thee theme thou tion tragedy Twelfth Night Viola Volumnia wedding wife woman women wooing words young