Shakespearean CriticismGale Research International, Limited, 1996 - 400 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 35
... story ( one he could have found in Ariosto , Bandello , and Spenser , among others ) of a bride falsely accused by a rejected suitor , he created the main plot of Much Ado about Nothing . But Hero , Claudio , and Don John , as it turned ...
... story ( one he could have found in Ariosto , Bandello , and Spenser , among others ) of a bride falsely accused by a rejected suitor , he created the main plot of Much Ado about Nothing . But Hero , Claudio , and Don John , as it turned ...
Seite 79
... story ) , the father is a widower like Lear ; and in the last four , Shakes- peare enlarges or alters the story he is working from so as to emphasise the possessive anger in the rôle . And , within a few years of depicting the ...
... story ) , the father is a widower like Lear ; and in the last four , Shakes- peare enlarges or alters the story he is working from so as to emphasise the possessive anger in the rôle . And , within a few years of depicting the ...
Seite 173
... story of Hero is an intricate one . But in dramatic perspective there is no doubt which is the more prominent . From the very outset Beatrice and Benedick take the centre of the stage , and though ' structurally subordinate to Claudio ...
... story of Hero is an intricate one . But in dramatic perspective there is no doubt which is the more prominent . From the very outset Beatrice and Benedick take the centre of the stage , and though ' structurally subordinate to Claudio ...
Inhalt
Women in Shakespeare | 1 |
King Lear | 75 |
The Taming of the Shrew | 260 |
Urheberrecht | |
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action actor androgyny Antony Antony and Cleopatra appear audience Beatrice and Benedick Beatrice's Benedick Benedick and Beatrice Bianca boy-actress chio Claudio Cleopatra comedies comic conventional Cordelia Coriolanus critics Cymbeline daugh daughters death disguise Dogberry Don John Don Pedro dramatic Edmund Elizabethan English essay date fantasy father female characters feminine feminism feminist gender Goneril hath Hero Hero's heroines husband ideal joke Kate Kate's kind King Lear language Lear's Leonato lord Love's Love's Labour's Lost lover Lucentio Macbeth male marriage married masculine mother nature obedience Othello patriarchal performance Petruchio play's plot Portia problem comedies Regan Renaissance role romance Rosalind scene seems sense sexual Shake Shakespeare Shakespeare's plays Shrew Sinead Cusack social speak speare's speech stage suggests Taming theatrical thee theme thou tion tragedy Twelfth Night Viola Volumnia wedding wife woman women wooing words young