Shakespearean CriticismGale Research International, Limited, 1996 - 400 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 87
... society . When Cordelia tells her father that she loves him ac- cording to her bond - ' no more nor less ' - she is using the word that declares her faith in the ideal charter of that society . For Shakespeare has imagined the world of ...
... society . When Cordelia tells her father that she loves him ac- cording to her bond - ' no more nor less ' - she is using the word that declares her faith in the ideal charter of that society . For Shakespeare has imagined the world of ...
Seite 196
... society that refuses to question its val- ues . The mechanistic refusal to question convention that dominates the action of the play is counterpoised by two reactions to the play's scandalous catastrophe that are separated from the ...
... society that refuses to question its val- ues . The mechanistic refusal to question convention that dominates the action of the play is counterpoised by two reactions to the play's scandalous catastrophe that are separated from the ...
Seite 231
... society in Messina manages to keep up the appearance of great activity . Such a society has the merit of being a society , that is , a more or less stable organization of human beings for common ends ; and ex hypothesi , it is charming ...
... society in Messina manages to keep up the appearance of great activity . Such a society has the merit of being a society , that is , a more or less stable organization of human beings for common ends ; and ex hypothesi , it is charming ...
Inhalt
Women in Shakespeare | 1 |
King Lear | 75 |
The Taming of the Shrew | 260 |
Urheberrecht | |
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action actor androgyny Antony Antony and Cleopatra appear audience Beatrice and Benedick Beatrice's Benedick Benedick and Beatrice Bianca boy-actress chio Claudio Cleopatra comedies comic conventional Cordelia Coriolanus critics Cymbeline daugh daughters death disguise Dogberry Don John Don Pedro dramatic Edmund Elizabethan English essay date fantasy father female characters feminine feminism feminist gender Goneril hath Hero Hero's heroines husband ideal joke Kate Kate's kind King Lear language Lear's Leonato lord Love's Love's Labour's Lost lover Lucentio Macbeth male marriage married masculine mother nature obedience Othello patriarchal performance Petruchio play's plot Portia problem comedies Regan Renaissance role romance Rosalind scene seems sense sexual Shake Shakespeare Shakespeare's plays Shrew Sinead Cusack social speak speare's speech stage suggests Taming theatrical thee theme thou tion tragedy Twelfth Night Viola Volumnia wedding wife woman women wooing words young