Shakespearean CriticismGale Research International, Limited, 1996 - 400 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 93
... social order as well as the decline in parental authority during the English Re- naissance . ] No ; he's a yeoman that has a gentleman to his son ; for he's a mad yeoman that sees his son a gentleman before him . ( 3.6.12-14 ) When ...
... social order as well as the decline in parental authority during the English Re- naissance . ] No ; he's a yeoman that has a gentleman to his son ; for he's a mad yeoman that sees his son a gentleman before him . ( 3.6.12-14 ) When ...
Seite 94
... social tradition of archaism , was brilliantly and obviously nonfunctional as a practical weapon in an ordnance world . Another method by which noblemen set themselves off was dress . As Stone puts it , the acid test of living nobly was ...
... social tradition of archaism , was brilliantly and obviously nonfunctional as a practical weapon in an ordnance world . Another method by which noblemen set themselves off was dress . As Stone puts it , the acid test of living nobly was ...
Seite 198
... social bound- aries . The triumph over deception that marks the harmonic conclusions of Shakespeare's other come- dies is simultaneously a triumph over a challenge to the social order ; similarly , epistemology becomes thematically ...
... social bound- aries . The triumph over deception that marks the harmonic conclusions of Shakespeare's other come- dies is simultaneously a triumph over a challenge to the social order ; similarly , epistemology becomes thematically ...
Inhalt
Women in Shakespeare | 1 |
King Lear | 75 |
The Taming of the Shrew | 260 |
Urheberrecht | |
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action actor androgyny Antony Antony and Cleopatra appear audience Beatrice and Benedick Beatrice's Benedick Benedick and Beatrice Bianca boy-actress chio Claudio Cleopatra comedies comic conventional Cordelia Coriolanus critics Cymbeline daugh daughters death disguise Dogberry Don John Don Pedro dramatic Edmund Elizabethan English essay date fantasy father female characters feminine feminism feminist gender Goneril hath Hero Hero's heroines husband ideal joke Kate Kate's kind King Lear language Lear's Leonato lord Love's Love's Labour's Lost lover Lucentio Macbeth male marriage married masculine mother nature obedience Othello patriarchal performance Petruchio play's plot Portia problem comedies Regan Renaissance role romance Rosalind scene seems sense sexual Shake Shakespeare Shakespeare's plays Shrew Sinead Cusack social speak speare's speech stage suggests Taming theatrical thee theme thou tion tragedy Twelfth Night Viola Volumnia wedding wife woman women wooing words young