Shakespearean CriticismGale Research International, Limited, 1996 - 400 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 48
... sexual difference lose their status in the unfixing of sexual disposition . Nor is it a balance between extremes which is pro- posed , the ' poise ' or ' complexity ' which criticism has often found characteristic of Rosalind and Viola ...
... sexual difference lose their status in the unfixing of sexual disposition . Nor is it a balance between extremes which is pro- posed , the ' poise ' or ' complexity ' which criticism has often found characteristic of Rosalind and Viola ...
Seite 134
... sexual attitudes . He is of course an extremely old man , and society - particularly its younger members like Hamlet - likes to think that old age , like infancy , is securely free from sexual needs or even interests . Shakespeare need ...
... sexual attitudes . He is of course an extremely old man , and society - particularly its younger members like Hamlet - likes to think that old age , like infancy , is securely free from sexual needs or even interests . Shakespeare need ...
Seite 242
... sexual intercourse as a violent encounter which men and women never- theless take pleasure in . ( If we think of this complex of associations in tragic rather than comic contexts , we see that Desdemona is both witty and courtly , as ...
... sexual intercourse as a violent encounter which men and women never- theless take pleasure in . ( If we think of this complex of associations in tragic rather than comic contexts , we see that Desdemona is both witty and courtly , as ...
Inhalt
Women in Shakespeare | 1 |
King Lear | 75 |
The Taming of the Shrew | 260 |
Urheberrecht | |
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action actor androgyny Antony Antony and Cleopatra appear audience Beatrice and Benedick Beatrice's Benedick Benedick and Beatrice Bianca boy-actress chio Claudio Cleopatra comedies comic conventional Cordelia Coriolanus critics Cymbeline daugh daughters death disguise Dogberry Don John Don Pedro dramatic Edmund Elizabethan English essay date fantasy father female characters feminine feminism feminist gender Goneril hath Hero Hero's heroines husband ideal joke Kate Kate's kind King Lear language Lear's Leonato lord Love's Love's Labour's Lost lover Lucentio Macbeth male marriage married masculine mother nature obedience Othello patriarchal performance Petruchio play's plot Portia problem comedies Regan Renaissance role romance Rosalind scene seems sense sexual Shake Shakespeare Shakespeare's plays Shrew Sinead Cusack social speak speare's speech stage suggests Taming theatrical thee theme thou tion tragedy Twelfth Night Viola Volumnia wedding wife woman women wooing words young