Shakespearean CriticismGale Research International, Limited, 1996 - 400 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 144
... sense of self ) as to the child's sense of gender . It is only for the purpose of analysis , however , that the two facets of identity can be separated . Both sexes begin to develop a sense of self in relation to a mother - woman . But ...
... sense of self ) as to the child's sense of gender . It is only for the purpose of analysis , however , that the two facets of identity can be separated . Both sexes begin to develop a sense of self in relation to a mother - woman . But ...
Seite 150
... sense , her answer ironically is a " nothing , " be- cause it is defective as a response ; and Lear's glib adage that " Nothing will come of nothing " proves to be , in one sense , immediately true of both her efforts . and his , in ...
... sense , her answer ironically is a " nothing , " be- cause it is defective as a response ; and Lear's glib adage that " Nothing will come of nothing " proves to be , in one sense , immediately true of both her efforts . and his , in ...
Seite 163
... sense Tate and his con- temporaries were quite right : Shakespeare does go too far in King Lear . But , having done so , he also produces no stylistic justification for doing so . That , to us , is the final effectiveness of his art ...
... sense Tate and his con- temporaries were quite right : Shakespeare does go too far in King Lear . But , having done so , he also produces no stylistic justification for doing so . That , to us , is the final effectiveness of his art ...
Inhalt
Women in Shakespeare | 1 |
King Lear | 75 |
The Taming of the Shrew | 260 |
Urheberrecht | |
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action actor androgyny Antony Antony and Cleopatra appear audience Beatrice and Benedick Beatrice's Benedick Benedick and Beatrice Bianca boy-actress chio Claudio Cleopatra comedies comic conventional Cordelia Coriolanus critics Cymbeline daugh daughters death disguise Dogberry Don John Don Pedro dramatic Edmund Elizabethan English essay date fantasy father female characters feminine feminism feminist gender Goneril hath Hero Hero's heroines husband ideal joke Kate Kate's kind King Lear language Lear's Leonato lord Love's Love's Labour's Lost lover Lucentio Macbeth male marriage married masculine mother nature obedience Othello patriarchal performance Petruchio play's plot Portia problem comedies Regan Renaissance role romance Rosalind scene seems sense sexual Shake Shakespeare Shakespeare's plays Shrew Sinead Cusack social speak speare's speech stage suggests Taming theatrical thee theme thou tion tragedy Twelfth Night Viola Volumnia wedding wife woman women wooing words young