Shakespearean CriticismGale Research International, Limited, 1996 - 400 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 41
... seen as one of the com- modities which wealth gave access to . The masque of Amazons came in dressed as eighteenth - century ladies who first danced very formally and elegantly ; emblems of high culture for the entertainment of the ...
... seen as one of the com- modities which wealth gave access to . The masque of Amazons came in dressed as eighteenth - century ladies who first danced very formally and elegantly ; emblems of high culture for the entertainment of the ...
Seite 45
... seen the actor in other roles and the character played by other actors . The convention that female parts are played by male actors is presumably equally taken for granted on the Renaissance stage . Within the fictional world of the ...
... seen the actor in other roles and the character played by other actors . The convention that female parts are played by male actors is presumably equally taken for granted on the Renaissance stage . Within the fictional world of the ...
Seite 124
... seen as rep- resentative men and women and the categories male and female are essential , unchanging , definable in modern , commonsense terms . The essentialism of this form of feminism is fur- ther developed in Marilyn French's ...
... seen as rep- resentative men and women and the categories male and female are essential , unchanging , definable in modern , commonsense terms . The essentialism of this form of feminism is fur- ther developed in Marilyn French's ...
Inhalt
Women in Shakespeare | 1 |
King Lear | 75 |
The Taming of the Shrew | 260 |
Urheberrecht | |
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action actor androgyny Antony Antony and Cleopatra appear audience Beatrice and Benedick Beatrice's Benedick Benedick and Beatrice Bianca boy-actress chio Claudio Cleopatra comedies comic conventional Cordelia Coriolanus critics Cymbeline daugh daughters death disguise Dogberry Don John Don Pedro dramatic Edmund Elizabethan English essay date fantasy father female characters feminine feminism feminist gender Goneril hath Hero Hero's heroines husband ideal joke Kate Kate's kind King Lear language Lear's Leonato lord Love's Love's Labour's Lost lover Lucentio Macbeth male marriage married masculine mother nature obedience Othello patriarchal performance Petruchio play's plot Portia problem comedies Regan Renaissance role romance Rosalind scene seems sense sexual Shake Shakespeare Shakespeare's plays Shrew Sinead Cusack social speak speare's speech stage suggests Taming theatrical thee theme thou tion tragedy Twelfth Night Viola Volumnia wedding wife woman women wooing words young