Shakespearean CriticismGale Research International, Limited, 1996 - 400 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 262
... seems to produce without labour , what no labour can improve . . . . In tragedy he is always struggling after some occasion to be comick ; but in comedy he seems to repose , or to luxuriate , as in a mode of thinking congenial to his ...
... seems to produce without labour , what no labour can improve . . . . In tragedy he is always struggling after some occasion to be comick ; but in comedy he seems to repose , or to luxuriate , as in a mode of thinking congenial to his ...
Seite 273
... seem to demonstrate his mastery conclusively . The play does not end here because Petruchio still seems coercive . Until Kate is allowed to improvise her own speech in defense of patriarchy , Petruchio seems to be compelling her to ...
... seem to demonstrate his mastery conclusively . The play does not end here because Petruchio still seems coercive . Until Kate is allowed to improvise her own speech in defense of patriarchy , Petruchio seems to be compelling her to ...
Seite 279
... seem to be a deliberate reviser . And it seems to me improbable that anyone pirating The Shrew would deliberately revise something as fundamental to the play as its attitudes toward gender . Thus , whatever attitudes toward gen- der we ...
... seem to be a deliberate reviser . And it seems to me improbable that anyone pirating The Shrew would deliberately revise something as fundamental to the play as its attitudes toward gender . Thus , whatever attitudes toward gen- der we ...
Inhalt
Women in Shakespeare | 1 |
King Lear | 75 |
The Taming of the Shrew | 260 |
Urheberrecht | |
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action actor androgyny Antony Antony and Cleopatra appear audience Beatrice and Benedick Beatrice's Benedick Benedick and Beatrice Bianca boy-actress chio Claudio Cleopatra comedies comic conventional Cordelia Coriolanus critics Cymbeline daugh daughters death disguise Dogberry Don John Don Pedro dramatic Edmund Elizabethan English essay date fantasy father female characters feminine feminism feminist gender Goneril hath Hero Hero's heroines husband ideal joke Kate Kate's kind King Lear language Lear's Leonato lord Love's Love's Labour's Lost lover Lucentio Macbeth male marriage married masculine mother nature obedience Othello patriarchal performance Petruchio play's plot Portia problem comedies Regan Renaissance role romance Rosalind scene seems sense sexual Shake Shakespeare Shakespeare's plays Shrew Sinead Cusack social speak speare's speech stage suggests Taming theatrical thee theme thou tion tragedy Twelfth Night Viola Volumnia wedding wife woman women wooing words young