Shakespearean CriticismGale Research International, Limited, 1996 - 400 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 45
... question ' Who is speaking ? ' elicits no single or simple answer . But the comedy of the epilogue owes its resonance in its context to the play's recurrent probing of the question , ' Who is speaking when the protagonist speaks ? ' And ...
... question ' Who is speaking ? ' elicits no single or simple answer . But the comedy of the epilogue owes its resonance in its context to the play's recurrent probing of the question , ' Who is speaking when the protagonist speaks ? ' And ...
Seite 191
... question : how do I know ? How can I be sure that A. is telling the truth , that B. is a villain , that C. loves me , that D. is lovesick ? How can intuition be confirmed ? These variants of the central question are exhibited , with ...
... question : how do I know ? How can I be sure that A. is telling the truth , that B. is a villain , that C. loves me , that D. is lovesick ? How can intuition be confirmed ? These variants of the central question are exhibited , with ...
Seite 256
... question is not whether Claudio is sincere he is certainly that , insofar as a ritual mode allows for such a distinc- tion . The question is what the ritual and Claudio's participation in it signify . For the ritual itself is , if ...
... question is not whether Claudio is sincere he is certainly that , insofar as a ritual mode allows for such a distinc- tion . The question is what the ritual and Claudio's participation in it signify . For the ritual itself is , if ...
Inhalt
Women in Shakespeare | 1 |
King Lear | 75 |
The Taming of the Shrew | 260 |
Urheberrecht | |
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action actor androgyny Antony Antony and Cleopatra appear audience Beatrice and Benedick Beatrice's Benedick Benedick and Beatrice Bianca boy-actress chio Claudio Cleopatra comedies comic conventional Cordelia Coriolanus critics Cymbeline daugh daughters death disguise Dogberry Don John Don Pedro dramatic Edmund Elizabethan English essay date fantasy father female characters feminine feminism feminist gender Goneril hath Hero Hero's heroines husband ideal joke Kate Kate's kind King Lear language Lear's Leonato lord Love's Love's Labour's Lost lover Lucentio Macbeth male marriage married masculine mother nature obedience Othello patriarchal performance Petruchio play's plot Portia problem comedies Regan Renaissance role romance Rosalind scene seems sense sexual Shake Shakespeare Shakespeare's plays Shrew Sinead Cusack social speak speare's speech stage suggests Taming theatrical thee theme thou tion tragedy Twelfth Night Viola Volumnia wedding wife woman women wooing words young