Shakespearean CriticismGale Research International, Limited, 1996 - 400 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 39
... performance as Rosalind in As You Like It . She is describing the scene where she first meets Orlando in the forest and behind the description , once more , lies the problem of creating character out of formal language and the ...
... performance as Rosalind in As You Like It . She is describing the scene where she first meets Orlando in the forest and behind the description , once more , lies the problem of creating character out of formal language and the ...
Seite 62
... performance . . . , a modern analogy which is false on at least five counts , since in these films ( a ) young boys were playing boys of their own ages within ( b ) a convention of realistic acting and in ( c ) a non - continuous ...
... performance . . . , a modern analogy which is false on at least five counts , since in these films ( a ) young boys were playing boys of their own ages within ( b ) a convention of realistic acting and in ( c ) a non - continuous ...
Seite 69
... performance . The feminist critique of Shakespearean texts has transformed liter- ary critical interpretation of " the woman's part , " but few feminist Shakespeareans have considered the sex- ual politics of playing that part . My ...
... performance . The feminist critique of Shakespearean texts has transformed liter- ary critical interpretation of " the woman's part , " but few feminist Shakespeareans have considered the sex- ual politics of playing that part . My ...
Inhalt
Women in Shakespeare | 1 |
King Lear | 75 |
The Taming of the Shrew | 260 |
Urheberrecht | |
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action actor androgyny Antony Antony and Cleopatra appear audience Beatrice and Benedick Beatrice's Benedick Benedick and Beatrice Bianca boy-actress chio Claudio Cleopatra comedies comic conventional Cordelia Coriolanus critics Cymbeline daugh daughters death disguise Dogberry Don John Don Pedro dramatic Edmund Elizabethan English essay date fantasy father female characters feminine feminism feminist gender Goneril hath Hero Hero's heroines husband ideal joke Kate Kate's kind King Lear language Lear's Leonato lord Love's Love's Labour's Lost lover Lucentio Macbeth male marriage married masculine mother nature obedience Othello patriarchal performance Petruchio play's plot Portia problem comedies Regan Renaissance role romance Rosalind scene seems sense sexual Shake Shakespeare Shakespeare's plays Shrew Sinead Cusack social speak speare's speech stage suggests Taming theatrical thee theme thou tion tragedy Twelfth Night Viola Volumnia wedding wife woman women wooing words young