Shakespearean CriticismGale Research International, Limited, 1996 - 400 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 296
... husband's command even after he has unjustly struck her the onstage audience shows shock at Oth- ello's action , but no surprise at Desdemona's obedi- ence . Whether the guidelines for behavior expounded in sermons and conduct books ...
... husband's command even after he has unjustly struck her the onstage audience shows shock at Oth- ello's action , but no surprise at Desdemona's obedi- ence . Whether the guidelines for behavior expounded in sermons and conduct books ...
Seite 297
... husband . Domestic conduct books , which insist that a wife be censured only in private , never even consider that the husband might reprove his wife in bed . Petru- chio's " curtain lecture " is thus thoroughly unconven- tional . By ...
... husband . Domestic conduct books , which insist that a wife be censured only in private , never even consider that the husband might reprove his wife in bed . Petru- chio's " curtain lecture " is thus thoroughly unconven- tional . By ...
Seite 359
... husband- ry , is set up as lord to a lady and husband to an estate , who sits by his lady to watch , in the story of Petru- chio , a gendered model of male success . What he watches is an implicit pattern for obtaining social and ...
... husband- ry , is set up as lord to a lady and husband to an estate , who sits by his lady to watch , in the story of Petru- chio , a gendered model of male success . What he watches is an implicit pattern for obtaining social and ...
Inhalt
Women in Shakespeare | 1 |
King Lear | 75 |
The Taming of the Shrew | 260 |
Urheberrecht | |
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action actor androgyny Antony Antony and Cleopatra appear audience Beatrice and Benedick Beatrice's Benedick Benedick and Beatrice Bianca boy-actress chio Claudio Cleopatra comedies comic conventional Cordelia Coriolanus critics Cymbeline daugh daughters death disguise Dogberry Don John Don Pedro dramatic Edmund Elizabethan English essay date fantasy father female characters feminine feminism feminist gender Goneril hath Hero Hero's heroines husband ideal joke Kate Kate's kind King Lear language Lear's Leonato lord Love's Love's Labour's Lost lover Lucentio Macbeth male marriage married masculine mother nature obedience Othello patriarchal performance Petruchio play's plot Portia problem comedies Regan Renaissance role romance Rosalind scene seems sense sexual Shake Shakespeare Shakespeare's plays Shrew Sinead Cusack social speak speare's speech stage suggests Taming theatrical thee theme thou tion tragedy Twelfth Night Viola Volumnia wedding wife woman women wooing words young