Shakespearean CriticismGale Research International, Limited, 1996 - 400 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 68
... effect . V Shakespeare's texts , as they survive , are a guide to his theatrical intentions and to the artistic effects which were available to him , but playscripts , especially those in which stage - directions are few , can be a ...
... effect . V Shakespeare's texts , as they survive , are a guide to his theatrical intentions and to the artistic effects which were available to him , but playscripts , especially those in which stage - directions are few , can be a ...
Seite 114
... effect of a work of art , where emotions run high and practical effects seem negligi- ble . Why should Lear want his children , even his " joy " Cordelia , to experience such anxiety ? Shakespeare's sources , going back to the distant ...
... effect of a work of art , where emotions run high and practical effects seem negligi- ble . Why should Lear want his children , even his " joy " Cordelia , to experience such anxiety ? Shakespeare's sources , going back to the distant ...
Seite 317
... effect of Jenkin's burlesques ? Did they make the female characters , when they ap- peared , seem more or less natural ? Was Jenkin mock- ing women or was he rather mocking men's stereo- typed ideas about women ? Or both ? On the one ...
... effect of Jenkin's burlesques ? Did they make the female characters , when they ap- peared , seem more or less natural ? Was Jenkin mock- ing women or was he rather mocking men's stereo- typed ideas about women ? Or both ? On the one ...
Inhalt
Women in Shakespeare | 1 |
King Lear | 75 |
The Taming of the Shrew | 260 |
Urheberrecht | |
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action actor androgyny Antony Antony and Cleopatra appear audience Beatrice and Benedick Beatrice's Benedick Benedick and Beatrice Bianca boy-actress chio Claudio Cleopatra comedies comic conventional Cordelia Coriolanus critics Cymbeline daugh daughters death disguise Dogberry Don John Don Pedro dramatic Edmund Elizabethan English essay date fantasy father female characters feminine feminism feminist gender Goneril hath Hero Hero's heroines husband ideal joke Kate Kate's kind King Lear language Lear's Leonato lord Love's Love's Labour's Lost lover Lucentio Macbeth male marriage married masculine mother nature obedience Othello patriarchal performance Petruchio play's plot Portia problem comedies Regan Renaissance role romance Rosalind scene seems sense sexual Shake Shakespeare Shakespeare's plays Shrew Sinead Cusack social speak speare's speech stage suggests Taming theatrical thee theme thou tion tragedy Twelfth Night Viola Volumnia wedding wife woman women wooing words young